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Picking the Strings

Lesson 5/85 | Study Time: 5 Min
Picking the Strings

Picking the Strings

It is best to pick the strings with your fingernails as this gives a better sound. Grow your fingernails to a comfortable length for your playing with attention to the following points.

  • The length of the nail should be approx. 2 – 3mm (3/32 – 5/32"). Generally the middle finger has the shortest nail and the ring finger the longest.
  • The thumb nail should be longer than all three fingers.
  • Fingernails should be shaped using a nail file (emery board) so that they have a rounded edge and flow smoothly off the string after it has been picked.
  • Experiment with the overall shape of each nail.

Picking With the Fingers – The Free Stroke

The free stroke is the picking of a string with a right hand finger when the finger moves freely away from the string after it is picked. The finger picks the string then bends slightly into the palm of the hand. The finger will move across the adjacent string.

Position second finger to pick first string.

Second finger moves across second string after picking first string

Picking With the Thumb

The 6th, 5th, 4th and sometimes 3rd strings are picked with the thumb (p). In almost all cases a free stroke is used. After striking a string the thumb should move over the third string and return to its original position ready to strike again.

Your thumb should feel as if it is moving in small circles. Once again consider the two options for the position of the right hand thumb.

The classical position: The wrist is arched, thumb 45 degrees to the string and the thumbnail is used to pick the string.

The contemporary position: The wrist is kept close to the guitar face, the thumb almost parallel to the strings and the side of the thumb is used to strike the string.

Classical Position

Contemporary Position

Finger Names and Numbers

The left hand fingers are numbered as such.

The letters p, i, m and a are used to indicate the right hand fingers.

  • p (pulgar) – thumb
  • i (indicio) - index finger
  • m (medio) – middle finger
  • a (anular) – ring finger

First Position – Right Hand

The first position allocates the first finger(i) of the picking hand to the third string, the second finger(m) of the picking hand to the second string and the third finger(a) of the picking hand to the first string.

The thumb(p) will play the lower three strings. The adjacent photo highlights the first position of the right hand fingers (i), (m) and (a). These three fingers should be in position above the strings ready to pick.

Second Position – Right Hand

The second position allocates the first finger(i) of the picking hand to the fourth string, the second finger(m) of the picking hand to the third string and the third finger(a) of the picking hand to the second string.

The thumb(p) will play the lower two strings. The adjacent photo highlights the first position of the right hand fingers (i), (m) and (a). These three fingers should be in position above the strings ready to pick.

Bracing the Right Hand

Some fingerpickers prefer to use one of the following right hand bracing techniques. The first option involves resting the little finger of the right hand on the guitar face. The second ion involves resting the bottom of the hand on the bridge.

Rest little finger on guitar face.

Rest bottom of hand on bridge.

Brett Duncan

Brett Duncan

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Class Sessions

1- Combining Chords and Runs 2- More Jazz Fingerpicking Styles 3- Advanced Picking Techniques 4- Jazz Chord Shapes 5- More Jazz Chord Shapes 6- INTRODUCTION 7- Single Note Runs 8- Basic Jazz Fingerpicking 9- Fingerpicking Technique 10- Fingerpicking a Melody 11- Traditional Jazz Styles 12- Scales 13- GLOSSARY OF MUSICAL TERMS 14- Octaves 15- Seven Flat Five 16- The Major Scale 17- Swing Rhythm 18- Alternating Thumb Style 19- Eleventh Chords 20- The Chromatic Scale 21- Arpeggio Style 22- Electronic Tuning 23- Bass Chord Style – Second Position 24- Playing Position 25- String Muting 26- Picking Four Notes Together 27- Seven Sharp Five 28- Right Hand – First Position 29- Hand Technique 30- Thumb Percussion 31- Staccato Chords 32- Dixieland Jazz 33- Tuning Your Guitar to the CD 34- Major Sixth Chords 35- Minor Seventh Chords 36- The Major Scale 37- Boogie Woogie 38- Using the Compact Disc 39- The Hammer-On 40- Minor Seven Flat Five 41- The Minor Scale 42- Picking the Strings 43- Left Hand Damping 44- Bass Chord Rhythms 45- Changing Chords 46- Thirteenth Chords 47- Thumb Percussion – Variation 48- Minor Ninth 49- Right Hand Damping 50- The Minor Pentatonic Scale 51- Chord Diagrams Used in This Book 52- Right Hand – Second Position 53- Major Seventh Chords 54- Ragtime Jazz 55- Omitting the Last Note Before a Chord Change 56- Diminished Chords 57- Jazz Chords – First Position 58- The Pull-Off 59- Scale Diagrams Used in This Book 60- The Major Pentatonic Scale 61- Lead-In Bass Notes 62- Alternative Bass Notes 63- Minor Sixth Chords 64- Seven Sharp Nine 65- Tablature 66- Lead-In Chords 67- Keys and Key Signatures 68- The Natural Minor Scale 69- Finger Roll 70- Tablature Symbols 71- Ninth Chords 72- The Slide 73- Relative Keys 74- Thirteen Flat Nine 75- Ghost Notes 76- Learning All the Keys 77- Thumb Slapping 78- Changing Right Hand Positions 79- Seven Sharp Five Flat Nine 80- Right Hand – Third Position 81- Major Six Add Nine 82- How Chords Are Formed 83- Right Hand – Fourth Position 84- Augmented Chords 85- More Scales and Patterns

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