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Understanding Rhythms

Lesson 2/87 | Study Time: 5 Min
Course: Jazz Guitar
Understanding Rhythms

Understanding Rhythms

Regardless of the style of music you play, it is essential to have a good knowledge of rhythms and the note and rest values used to create them. All players use the same notes, but it is largely the control of timing, rhythms and phrasing which separates the great players from the average.

There are thousands of licks and solos on albums which use only a few notes (e.g., the notes of the major scale) but are made interesting by the rhythm with which those notes are played. The following table shows whole, half, quarter and eighth notes, along with their equivalent rests. You may already know these values, but it is worth reminding yourself how the notes divide into two each time you go to a smaller note value.

Note and Rest Values

Bar lines are drawn across the staff, which divides the music into sections called Bars or Measures. A Double bar line signifies either the end of the music, or the end of an important section of it.

The Four Four Time Signature

These two numbers are called the four four time signature. They are placed after the treble clef. The * time signature tells you there are four beats in each bar. There are four quarter notes in one bar of music in * time.

The Whole Note

This is a whole note. It lasts for four beats. There is one whole note in one bar of * time.

The Whole Rest

This symbol is called a whole rest. It indicates either four beats of silence or a whole bar of silence.

In the following example, the guitar plays a whole note in one bar and nothing in the following bar (a whole rest). This means that in a band situation there is a lot of space for the other instruments. Remember to keep counting regardless of whether you see notes or rests in the music.

The Half Note and Half Rest

This is a half note. It has a value of two beats. There are two half notes in one bar of * time.

The guitar part in this example makes use of whole notes, whole rests, half notes and half rests.

The Quarter Note

This is a quarter note. It lasts for one beat. There are four quarter notes in one bar of * time.

The Quarter Rest

This symbol is a quarter rest. It indicates one beat of silence. Do not play any note. Small counting numbers are placed under rests.

This example demonstrates quarter notes and quarter rests. As with previous examples.

Peter Gelling

Peter Gelling

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Class Sessions

1- Keys and Key Signatures 2- More about Eighth Notes 3- Identifying Intervals by Ear 4- Intervals 5- Developing Rhythmic Control 6- Using Ties 7- Transposing 8- Using the Whole Fretboard, Playing in all Keys 9- Scale Degrees 10- The Triplet 11- Scale Tone 7th Chords 12- LESSON NINE 13- Using the Scale Forms 14- Learning all the Notes 15- INTRODUCTION 16- More about Major Scales 17- The II V I Progression 18- Arpeggios and Chord Progressions 19- Seventh Chords 20- Scale Tone Chords 21- Modes over Chord Changes 22- Fingerings for Modes 23- Basic Jazz Sounds and Techniques 24- The Major Scale 25- Understanding Chords 26- Modes 27- Understanding Rhythms 28- Understanding Chord Progressions, Arpeggios and Modes 29- Eighth Notes 30- The Chromatic Scale 31- Arpeggios 32- Major Scales in all Keys 33- Intervals in Sequences 34- Interval Qualities 35- Playing What You Hear 36- Improvising with Arpeggios 37- Scale Tone 7th Pattern 38- Major Key Triad Pattern 39- Tones and Semitones 40- Learning to Play Seventh Chords 41- Improvising with Set Rhythms 42- The Importance of Timing and Attitude 43- Using Set Rhythms 44- Syncopation 45- Mode Formulas 46- Other Common Progressions 47- Swing Rhythms 48- Creating Your Own Melodies 49- Ties Across a Bar Line 50- Combining Modes and Arpeggios 51- Visualizing Scale Degrees 52- Notes on the Guitar Fretboard 53- Tuning Your Guitar 54- Interval Distances 55- Chord Construction - Triads 56- Sequences 57- Jam Along Progressions 58- Scale Tone Chords in all Keys 59- Fretboard Diagrams 60- Major Sevenths 61- Counting Swing Eighth Notes 62- Enharmonic Notes 63- First and Second Endings 64- 5 Forms of Movable Fingerings 65- Major Scale Pattern 66- Notes in More than one Place 67- Dominant Sevenths 68- Listening 69- The G Major Scale 70- Finding Intervals on the Fretboard 71- Left Hand Fingering 72- Memorizing the Notes of the Scale 73- Position Playing 74- The Key Cycle 75- Common Progressions 76- The F Major Scale 77- Higher and Lower Versions of Notes 78- Minor Sevenths 79- Chord Symbols 80- Tablature 81- More titles by LearnToPlayMusic.com 82- Practicing Scales and Arpeggios 83- Other Major Scales 84- Technique 85- Minor 7 Flat Five and Diminished 86- Approach to Practice 87- Practice Position

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