Higher and Lower Versions of Notes

Lesson 6/87 | Study Time: 5 Min

Course: Jazz Guitar

Higher and Lower Versions of Notes

Another valuable exercise for improving your knowledge of the fretboard is to find all possible versions (i.e., higher and lower pitches) of any given note.

An example of this would be the note C# which can be found at the 9th and 21st frets on the sixth string, the 4th and 16th frets on the fifth string, the 11th fret on the fourth string, the 6th and 18th frets on the third string, the 2nd and 14th frets on the second string, and the 9th and 21st frets on the first string.

These positions are shown in the following diagram. Practice choosing notes at random and finding each one in all possible positions until you are confident you can instantly find any note in any position.

Knowing how to find higher and lower versions of notes is useful in many ways. You may wish to repeat something you have played but make it sound higher or lower than the first time it was played, or you may play something and think you have the right notes but it sounds too high or too low.

Another situation where this is useful is if you are playing call and response with a vocalist or another instrumentalist. You may know which key they are in and what note they are starting with, but you have to find which octave they are in as well. An octave is the distance between any note and its next repeat at a higher or lower pitch. The following example shows a phrase played in different positions on the fretboard and also in different octaves.

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1- Keys and Key Signatures 2- More about Eighth Notes 3- Identifying Intervals by Ear 4- Intervals 5- Developing Rhythmic Control 6- Using Ties 7- Transposing 8- Using the Whole Fretboard, Playing in all Keys 9- Scale Degrees 10- The Triplet 11- Scale Tone 7th Chords 12- LESSON NINE 13- Using the Scale Forms 14- Learning all the Notes 15- INTRODUCTION 16- More about Major Scales 17- The II V I Progression 18- Arpeggios and Chord Progressions 19- Seventh Chords 20- Scale Tone Chords 21- Modes over Chord Changes 22- Fingerings for Modes 23- Basic Jazz Sounds and Techniques 24- The Major Scale 25- Understanding Chords 26- Modes 27- Understanding Rhythms 28- Understanding Chord Progressions, Arpeggios and Modes 29- Eighth Notes 30- The Chromatic Scale 31- Arpeggios 32- Major Scales in all Keys 33- Intervals in Sequences 34- Interval Qualities 35- Playing What You Hear 36- Improvising with Arpeggios 37- Scale Tone 7th Pattern 38- Major Key Triad Pattern 39- Tones and Semitones 40- Learning to Play Seventh Chords 41- Improvising with Set Rhythms 42- The Importance of Timing and Attitude 43- Using Set Rhythms 44- Syncopation 45- Mode Formulas 46- Other Common Progressions 47- Swing Rhythms 48- Creating Your Own Melodies 49- Ties Across a Bar Line 50- Combining Modes and Arpeggios 51- Visualizing Scale Degrees 52- Notes on the Guitar Fretboard 53- Tuning Your Guitar 54- Interval Distances 55- Chord Construction - Triads 56- Sequences 57- Jam Along Progressions 58- Scale Tone Chords in all Keys 59- Fretboard Diagrams 60- Major Sevenths 61- Counting Swing Eighth Notes 62- Enharmonic Notes 63- First and Second Endings 64- 5 Forms of Movable Fingerings 65- Major Scale Pattern 66- Notes in More than one Place 67- Dominant Sevenths 68- Listening 69- The G Major Scale 70- Finding Intervals on the Fretboard 71- Left Hand Fingering 72- Memorizing the Notes of the Scale 73- Position Playing 74- The Key Cycle 75- Common Progressions 76- The F Major Scale 77- Higher and Lower Versions of Notes 78- Minor Sevenths 79- Chord Symbols 80- Tablature 81- More titles by LearnToPlayMusic.com 82- Practicing Scales and Arpeggios 83- Other Major Scales 84- Technique 85- Minor 7 Flat Five and Diminished 86- Approach to Practice 87- Practice Position

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Higher and Lower Versions of Notes