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Keys and Key Signatures

Lesson 2/87 | Study Time: 5 Min
Course: Jazz Guitar
Keys and Key Signatures

Keys and Key Signatures

The key describes the note around which a piece of music is built. When a song consists of notes from a particular scale, it is said to be written in the key which has the same notes as that scale. For example, if a song contains mostly notes from the C major scale, it is said to be in the key of C major.

If a song contains mostly notes from the F major scale, it is said to be in the key of F major. If a song contains mostly notes from the G major scale, it is said to be in the key of G major. When playing in any major key other than C, the key will contain at least one sharp or flat, and possibly as many as six. Instead of writing these sharps or flats before each note as they occur, they are usually written at the beginning of the song just before the time signature.

These sharps or flats are called a key signature. The number of sharps or flats in the key signature depends on the number of sharps or flats in the corresponding major scale. The major scales and key signatures for the keys of F and G are demonstrated in the following text and diagrams. Without sharps and flats, these scales would not contain the correct pattern of tones and semitones and would therefore not sound like a major scale.

Key Signature of G Major

The G major scale contains one sharp, F#, therefore the key signature for the key of G major contains one sharp, F#.

Key Signature of F Major

The F major scale contains one flat, Bb, therefore the key signature for the key of F major contains one flat, Bb.

The reason some scales contain sharps while others contain flats is that there has to be a separate letter name for each note in the scale. For example, the G major scale contains F# instead of Gb even though these two notes are identical in sound. However, if Gb was used, the scale would contain two notes with the letter name G and no note with the letter name F.

This is the reason for choosing to call the note F# in this key. In the key of F major, the note Bb is chosen instead of A# for the same reason. If A# was used, the scale would contain two notes with the letter name A and no note with the letter name B. The note each major scale starts on will determine how many sharps or flats are found in each key signature because of the necessity for the scale to have the correct pattern of tones and semitones in order to sound right.

The following charts contain the key signatures of all the major scales used in music, along with the number of sharps or flats contained in each key. Because there are 12 notes used in music, this means there are 12 possible starting notes for major scales (including sharps and flats). This means that some of the keys will have sharps or flats in their name, e.g., F# major, Bb major, Eb major, etc. Keys which contain sharps are called sharp keys and keys which contain flats are called flat keys.

The key signatures for all the major scales that contain sharps are shown on the following staff.

The sharp key signatures are summarized in the following table.

The following staff shows the key signatures for all the major scales that contain flats

The flat key signatures are summarized in the following table.

* An interval is the distance between two notes. Intervals are named by the number of letters they are apart, e.g., C to G is a fifth. Intervals are discussed in detail in lesson 15.

Peter Gelling

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Class Sessions

1- Keys and Key Signatures 2- More about Eighth Notes 3- Identifying Intervals by Ear 4- Intervals 5- Developing Rhythmic Control 6- Using Ties 7- Transposing 8- Using the Whole Fretboard, Playing in all Keys 9- Scale Degrees 10- The Triplet 11- Scale Tone 7th Chords 12- LESSON NINE 13- Using the Scale Forms 14- Learning all the Notes 15- INTRODUCTION 16- More about Major Scales 17- The II V I Progression 18- Arpeggios and Chord Progressions 19- Seventh Chords 20- Scale Tone Chords 21- Modes over Chord Changes 22- Fingerings for Modes 23- Basic Jazz Sounds and Techniques 24- The Major Scale 25- Understanding Chords 26- Modes 27- Understanding Rhythms 28- Understanding Chord Progressions, Arpeggios and Modes 29- Eighth Notes 30- The Chromatic Scale 31- Arpeggios 32- Major Scales in all Keys 33- Intervals in Sequences 34- Interval Qualities 35- Playing What You Hear 36- Improvising with Arpeggios 37- Scale Tone 7th Pattern 38- Major Key Triad Pattern 39- Tones and Semitones 40- Learning to Play Seventh Chords 41- Improvising with Set Rhythms 42- The Importance of Timing and Attitude 43- Using Set Rhythms 44- Syncopation 45- Mode Formulas 46- Other Common Progressions 47- Swing Rhythms 48- Creating Your Own Melodies 49- Ties Across a Bar Line 50- Combining Modes and Arpeggios 51- Visualizing Scale Degrees 52- Notes on the Guitar Fretboard 53- Tuning Your Guitar 54- Interval Distances 55- Chord Construction - Triads 56- Sequences 57- Jam Along Progressions 58- Scale Tone Chords in all Keys 59- Fretboard Diagrams 60- Major Sevenths 61- Counting Swing Eighth Notes 62- Enharmonic Notes 63- First and Second Endings 64- 5 Forms of Movable Fingerings 65- Major Scale Pattern 66- Notes in More than one Place 67- Dominant Sevenths 68- Listening 69- The G Major Scale 70- Finding Intervals on the Fretboard 71- Left Hand Fingering 72- Memorizing the Notes of the Scale 73- Position Playing 74- The Key Cycle 75- Common Progressions 76- The F Major Scale 77- Higher and Lower Versions of Notes 78- Minor Sevenths 79- Chord Symbols 80- Tablature 81- More titles by LearnToPlayMusic.com 82- Practicing Scales and Arpeggios 83- Other Major Scales 84- Technique 85- Minor 7 Flat Five and Diminished 86- Approach to Practice 87- Practice Position

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