USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

GLOSSARY OF MUSICAL TERMS

Lesson 2/182 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own discretion.

Anacrusis — a note or notes occurring before the first bar of music (also called "lead-in" notes).

Arpeggio — the playing of a chord in single note fashion.

Bar — a division of music occurring between two bar lines (also called a "measure").

Bar line —a vertical line drawn across the staff which divides the music into equal sections called bars.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g. as in a song).

Chromatic scale — a scale ascending and descending in semitones.

e.g. C chromatic scale:

Common time — an indication of * time — four quarter note beats per bar (also indicated by Q)

D.C al fine — a repeat from the sign (indicated thus V ) to the word "fine"

Duration — the time value of each note.

Dynamics — the varying degrees of softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth rest — indicating half a beat of silence is written: j

Enharmonic — describes the difference in notation, but not in pitch, of two notes: e.g.

First and second endings — signs used where two different endings occur. On the first time through ending one is played (indicated by the bracket Z); then the progression is repeated and ending two is played (indicated X).

Harmony — the simultaneous sounding of two or more different notes.

Improvise — to perform spontaneously; i.e. not from memory or from a written copy.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g. a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e. from the C scale.

Key signature — a sign, placed at the beginning of each stave of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key. e.g.

indicates a scale with F# and C#, which is D major; D E F# G A B C# D. Therefore the key is D major.

Lead-In — same as anacrusis (also called a pick-up).

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff, e.g.

Legato — smoothly, well connected.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone – tone – semitone – tone – tone – tone – semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a succession of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo.

e.g.: MM (Maelzel Metronome) 3 = 60 — indicates 60 quarter note beats per minute.

Natural — a sign (@) used to cancel our the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g. "the natural notes".

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name;

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Repeat signs — in music, used to indicate a repeat of a section of music, by means of two dots placed before a double bar line:

In chord progressions, a repeat sign C, indicates and exact repeat of the previous bar.

Semitone — the smallest interval used in conventional music.

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached. Indicated by a dot placed above the note: x

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — displacing the normal flow of accents in music. Usually from on the beat to off the beat.

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone colour"). A given note on the guitar will sound different (and therefore distinguishable) from the same pitched note on piano, violin, flute etc.

Transposition — the process of changing music from one key to another.

Peter Gelling

Peter Gelling

Product Designer
4.79
Profile

Class Sessions

1- INTRODUCTION 2- Parts of the Saxophone 3- Tuning Your Saxophone 4- The Note B 5- The Note F 6- The Lead-In 7- The Eighth Notes 8- The Note D in the Middle Register 9- The Sharp Sign 10- The Note Low C 11- Syncopation 12- The Note E Flat 13- The Triplet 14- The Note C Sharp 15- The Note G Sharp or A Flat 16- The Chromatic Scale 17- Playing in all Keys 18- Transposing 19- More on Blues Scales 20- Improvisation 21- New Notes 22- Intervals 23- Understanding Chords 24- Chord Construction 25- Seventh Arpeggios 26- Rhythms Using Triplets 27- Expressive Techniques 28- Sixteenth Notes 29- 16th Note Set Rhythms 30- Articulations 31- Ghost Notes 32- Bending Notes 33- Call and Response 34- Minor Keys and Scales 35- Relative Keys 36- Simple and Compound Time 37- The Sixteenth Note Triplet 38- Dynamics 39- Modes 40- Scale Tone Chords 41- Seventh Chord Types 42- Scale Tone 7th Chords 43- The <span class="symbolB">2 5 1</span> Progression 44- Other Chord Types 45- Chord Substitution 46- Guide Tones 47- Altered Chords 48- Harmonizing Minor Scales 49- Learning Song Forms 50- APPENDIX ONE 51- APPENDIX TWO 52- GLOSSARY OF MUSICAL TERMS 53- Using the Complete CD 54- Putting the Saxophone Together 55- How to Read Music 56- Duets 57- Slurs 58- The Tie 59- Using the Octave Key 60- The C Major Scale 61- The Blues Scale 62- Swing Rhythms 63- The D Major Scale 64- The A Major Scale 65- More About Major Scales 66- Using the Key Cycle 67- Developing Rhythmic Control 68- High Notes 69- Interval Qualities 70- Arpeggios 71- Double Sharps and Double Flats 72- Alternating Thirds 73- Vibrato 74- Tempo Markings 75- Repetition and Variation 76- Accents 77- False Fingerings 78- Dip Bending 79- The Harmonic Minor Scale 80- Learning a New Minor Key 81- Swinging Sixteenth Notes 82- Volume Changes 83- Names of the Modes 84- Scale Tone Chord Arpeggios 85- Learning to Play Seventh Chords 86- Scale Tone 7th Pattern 87- <span class="symbolB">1</span> Becomes <span class="symbolB">2</span> 88- Memorizing Chord Types 89- Substituting Two Ahead 90- Practical Use of Guide Tones 91- Learning Altered Chords 92- Minor Key Progressions 93- Play-Along Recordings 94- Before You Begin 95- Attaching the Mouthpiece 96- Chord Symbols 97- Key Signatures 98- 12 Bar Blues 99- Riffs 100- The Key of C Major 101- Enharmonic Notes 102- First and Second Endings 103- The Note D Flat 104- The E Major Scale 105- Accidentals 106- Improvising With Set Rhythms 107- Two Octave Scales 108- Interval Distances 109- Chords Transposed for Accompaniment 110- Growling 111- Tempo Changes 112- The Trill 113- The Melodic Minor Scale 114- Table of Minor Scales 115- The Twelve Eight Time Signature 116- Thirty Second Notes 117- Modal Tonalities 118- Major Key Triad Pattern 119- Dominant Sevenths 120- Scale Tone 7ths in all Keys 121- <span class="symbolB">5</span> Becomes <span class="symbolB">2</span> 122- Extended Chords 123- Scale Tone Seventh Substitution 124- Other Guide Tones 125- Sharp Eleven Chords 126- Minor Key Modes 127- Jazz Terminology 128- Attaching the Reed 129- Keeping Time 130- Breathing Technique 131- The G Major Scale 132- Two Octave C Major Scale 133- Practical Use of Enharmonic Notes 134- The 8va Symbol 135- Intervals in Sequences 136- Improvising With Arpeggios 137- Sixteenth Note Figures 138- The Fall-Off 139- Cut Common Time 140- Scale Tone Chords in all Keys 141- Minor Sevenths 142- Other Common Progressions 143- Eleventh Chords 144- Relative Substitution 145- Guide Tones in Modes 146- Higher Extensions in Minor Keys 147- Rhythm Changes 148- Attaching the Neck to the Body 149- Where To Breathe 150- Other Useful Exercises 151- More on Key Signatures 152- Mixing Different Scales 153- Learning Intervals in all Keys 154- Augmented and Diminished Arpeggios 155- Using Modes in all Keys 156- Common Progressions 157- Practicing Scales and Arpeggios 158- Learning Standards 159- Thirteenth Chords 160- Dominant Minor Substitution 161- Substitutions in Minor Keys 162- Blues Changes 163- How to Hold the Saxophone 164- Posture 165- The Key of F Major 166- Identifying Intervals by Ear 167- How to Learn a New Progression 168- Minor 7 Flat Five Chords 169- Learning New Chords 170- Tritone Substitution 171- Blues Changes Using Substitutions 172- Fingering Numbers 173- Harmonic Intervals 174- Diminished 7th Chords 175- Listening 176- Fingering Diagram 177- The Saxophone as a Transposing Instrument 178- Transcribing 179- Playing Your First Note 180- Transposing Chart 181- Serving the Song 182- Tonguing

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.