Music is continually changing and expanding, and as such more styles of music exist today than ever before. Many different styles of music are being drawn upon to influence the creation of new styles and expand the parameters of old styles.
Drummers therefore, have to be more versatile and knowledgeable than ever before and hence having a sound understanding of many styles of music is invaluable.
This book presumes no previous musical knowledge, and clearly and carefully familiarizes its reader with the necessary theoretical and practical knowledge required by today’s performing drummer.
Basic information such as explanation of notation, equipment, holding the drumsticks and practice suggestions are covered. This information is vital for people with no previous knowledge of drums. The book is then split into three carefully graded sections, each covering fundamental topics. Sections are used for two primary reasons:
Section 1 introduces music theory and sight reading exercises. The understanding of the latter sections relies on material covered in this section.
Section 2 introduces information and exercises which are vital in developing stick control. Many of the beats and fills covered in Section 3, require mastery of stick control to be properly executed.
Section 3 gives examples of beats, fills and solos in various styles. As mentioned earlier, this book is designed to be flexible. Here are 4 examples of possible usage:
Example 1 – You may wish to play the beats and fills covered later in the program, but you might not possess the theoretical knowledge needed to master them. Either work through the appropriate section (in this case Section 1 "Theory and Sight Reading Exercises") until you develop the knowledge required, or access the relevant information directly.
Example 2 – You may wish to play the fills towards the end of the program, but you may not have the necessary stick control. "Stick Control" being the key words, either work through Section 2 (Stick Control) until you gain the level of proficiency required, or seek directly the exercises appropriate to the task.
Example 3 – You may wish to develop all facets of your playing equally. If so, simply work on a moderate number of exercises from each section progressively, repeating this process as required.
Example 4 – You can also work through the book page by page, as each section is graded and introduces material as it is needed.
Explanations of various ideas appear throughout the book under the heading "Concepts". These are included to give a greater understanding of certain aspects of drumming, and to facilitate faster and more thorough learning. Styles such as Rock, Metal, Jazz and Latin American are covered, and the most commonly used and best sounding techniques and patterns for each one are included.
Each exercise in this book should be played twenty times before progressing. The guidance of an experienced teacher who encourages and inspires you to learn is invaluable.