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3 Steps to Stick Control

Lesson 7/57 | Study Time: 5 Min
Course: Drum Method
3 Steps to Stick Control

3 Steps to Stick Control

Find the Balance Point of the Stick -

The point at which the stick is held should also be the balance point of the stick, the balance point meaning how far along the stick you should place your grip so that the maximum response is gained from the stick.

This point can be found by placing the stick over the first finger and dropping the stick onto a practice pad or snare drum (see photo). The greater the number of natural bounces the stick makes, the closer you are to finding the balance point. The balance point occurs roughly 1/3; of the way up the stick (from the butt end).

Relax the grip -

It is important to relax your hold on the stick, as too much pressure will "choke" the stick. The more relaxed the grip, the more easily the stick can pivot within the fulcrum. This leads to a better sound, greater endurance and greater speed.

Keep the stick height uniform -

If the height of each individual stroke and the height between the two sticks is the same, the resulting sound will be even and constant.

If you follow these three rules when practicing, your stick control should develop quickly. The best way to obtain speed is to always remain relaxed, and to practice precisely.

Craig Lauritsen

Craig Lauritsen

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Class Sessions

1- The 3 Strokes of Stick Propulsion 2- INTRODUCTION 3- A Basic Rock Beat 4- Rudiments of Music 5- Explanation of Notation 6- Characteristics of the Arm, Wrist and Finger Strokes 7- Fills 8- Note Values 9- Equipment 10- Exercises for Developing the 3 Strokes of Stick Propulsion 11- Understanding Note Values 12- Bass Drum Variations 13- Concept 3 – The Physics of Volume 14- Concept 4 – Co-ordinating "e’s" and "a’s" 15- Sight Reading Exercises 16- Using the Metronome 17- Repeat signs 18- Bass Drum Variations 19- Upstrokes and Downstrokes 20- Holding the Drum Sticks 21- First and Second Time Bars 22- Snare Drum Variations 23- 3 Steps to Stick Control 24- The Traditional Grip 25- Quarter Note Snare Drum Pulse 26- Rudiments 27- The Matched Grip 28- The Dot 29- Combined Snare Drum and Bass Drum Variations 30- Rolls 31- Practice Suggestions 32- The Tie 33- Hi-hat Openings 34- Triplet Stickings 35- Concept 1 – Minimalization 36- Grace Notes and Principle Notes 37- Syncopation 38- Sixteenth Note Hi-hat Patterns with Bass Drum Variations 39- Stickings Around the Kit 40- Sixteenth Note Hi-hat Patterns with Combined Snare Drum and Bass Drum Variations 41- Joining Stickings Together 42- Eighth and Sixteenth Note Combinations 43- Triplets 44- Hi-hat Openings 45- Dynamics 46- Accent Studies 47- Concept 2 – Playing ¼ Note Triplets 48- Offbeat Snare Drum Patterns 49- Additional Hi-hat and Ride Cymbal Variations 50- Shuffle Patterns 51- Swing 52- Go-go/Hip-hop 53- Latin American 54- Reggae 55- Funk Patterns 56- Odd Time 57- Solos

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