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Quarter Notes and Rests

Lesson 2/62 | Study Time: 5 Min
Quarter Notes and Rests

Quarter Notes and Rests

Ex. 4 introduces the QUARTER NOTE REST h This means silence for the count of 1 beat. It can be found anywhere in the music and is counted in exactly the same way as a quarter note.

Use the left hand on the 2 and 4 counts, and rest on the 1 and 3 counts, while the bass drum plays on all counts.

The Cymbals [ Ride (R/C) and closed Hi-Hats (H/H)] are indicated thus , and are written on the top line of the staff.

Ex. 9 introduces the CYMBAL PATTERN which will enable you to play a complete drum pattern. Use the ride cymbal (R/C) tapping it on every beat (1,2,3,4) with your right hand, while the bass (B/D) taps on every beat (1,2,3,4), and the snare drum (S/D) is tapped on every 2 and 4 beat (with the left hand.)

With all the beats discussed in this book, do not restrict yourself to playing them just on the ride cymbal or hi-hats (H/H). Try experimenting playing the cymbal pattern on other parts of the drum kit, e.g., cowbell (C/B), tom-toms (small, medium, large), the rim of the snare and tom-toms. If you listen to records very carefully, you can pick out the sections of music where the cymbal pattern is played on the ride cymbal and then moved to the hi-hat or crash cymbal (C/C). here is typical example of how a song may be structured and where the cymbal pattern could be played.

The hi-hat can be added to Ex. 9. Use the left foot to push down the pedal so that the two cymbals click together. Whenever you see the hi-hat in this position it must be closed together on the beat.

 

Play the H/H with the L. foot on the 2 & 4 count (with the snare) while the B/D and R/C are played on all counts (1,2,3,4)

Andy Griffiths

Andy Griffiths

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Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

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