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Jazz Fills Using The Swing Beat

Lesson 2/62 | Study Time: 5 Min
Jazz Fills Using The Swing Beat

Jazz Fills Using The Swing Beat

Triplets, when used with the swing beat create interesting fills. Here are a few examples:

The swing beat may also be written using triplet cymbal patterns, e.g., notice the eighth note rest in the middle of the triplet group. This creates the "swing" feel.

Brush Rhythms

The wire brushes are used when a quieter or more subtle rhythm is required. They would be used in a dance band for slow and medium tempo swing songs.

The right hand will be playing the same pattern as the swing beat in the jazz section, with the bass drum playing on the first and third beats, while the hi-hat is closing with the left foot on the second and fourth beats.

The left hand will be rotating the brush on the head of the snare drum in a oval shape, going from the outer edge to the center and back continuously. The brush should be in the center position with each beat.

If you cannot keep up the pace of rhythm with the left hand in faster tempos then just slow the left hand down so that you are rotating at half the speed before. The brush should now be in the center for 1 beat and then at the edge for the second beat, back to the center for the third beat and out to the edge for the fourth beat.

Andy Griffiths

Andy Griffiths

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Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

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