USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

GLOSSARY OF MUSICAL TERMS

Lesson 2/62 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accent — a sign, L used to indicate a predominant beat.

Ad Lib — to be played at the performer’s own discretion.

Bar — A division of music occurring between two bar lines (also call a "measure")

Bar Line — a vertical line drawn across the staff which divides the music into equal sections called bars.

Bass — the lower regions of pitch.

Bass Clef — a sign placed at the beginning of the staff to fix the pitch of notes placed on it.

Chord — a combination of three or more different notes played together.

Common Time — an indication of * time - four quarter note beats per bar. Also written Q

Compound Time — occurs when the beat falls on a dotted note, which is a divisible by three, e.g.: ) _ +

Dot — a sign placed after a note indicating that its time value is extended by a half, e.g., in * time.

Double Bar Line — two vertical lines close together, indicating the end of a piece, or section thereof.

Dynamics — the varying degrees of softness and loudness in music.

Eighth Note — a note with the value of half a beat in * time, indicated thus 0 (also called a quaver).
The eight note rest indicating half a beat of silence, is written: j

Fills — any variation of stick movement from the basic beat and used to fill out or color the music.

Half Note — a note with the value of beats in * time, indicated thus: 5 (also called a minim).
the half note rest, indicating two beats of silence, is written: g third staff line.

Improvise — to perform spontaneously, i.e., not from memory or from a written copy.

Intro — introduction to a song (e.g., using fills).

Metronome — a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo, e.g., MM (Metronome) 3 = 60 indicates 60 quarter note beats per minute.

Notation — the written representation of music, by means of symbols (music on a staff).

Note — a single sound with a given pitch and duration.

Quarter Note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).
The quarter note rest, indicating one beat of silence, is written: h

Reggae — a Jamaican rhythm featuring an accent on the second and fourth beats (in * time).

Repeat signs - in music, used to indicate a repeat of a section of music, by means of two dots placed before a double bar line:

A repeat sign C, indicates an exact repeat of the previous bar.

Rest — the notation of a absence of sound in music.

Rhythm — the aspect of music concerned with tempo, duration and accents of notes. Tempo indicates the speed of a piece (fast or slow); duration indicates the time value of each note (quarter note, eighth note, sixteenth note, etc.): and accents indicate which beat is more prominent (in rock the first and third beats; in reggae the second and fourth beats).

Simple Time — occurs when the beat falls on an undotted note, which is thus divisible by two.

Sixteenth Note — a note with the value of a quarter of a beat in * time, indicated thus 0 (also called a semiquaver). The sixteenth note rest, indicating a quarter beat of silence, is written k

Slur Line — notes with slur line are to be played smoothly-

Staff — five parallel line together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat, e.g.:

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is note played, but its time value is added to that of the first note.

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Triplet — a group of three notes played in the same time as two notes of the same kind. Eighth note triplet:

Whole Note — a note with the value of four beats in * time, indicated thus ` (also called a semibreve). Whole note rest, indicating four beats of silence, is written: f fourth staff line.

Andy Griffiths

Andy Griffiths

Product Designer
5.00
Profile

Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.