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Fills

Lesson 2/62 | Study Time: 5 Min
Fills

Fills

A FILL is any variation of stick movements from the basic beat used to fill out color the music.

Fills are usually found at the beginning and ending of songs, at the end of certain bars (i.e., when the song changes from verse to chorus and vice-versa), or when leading into an instrumental. There are no set rules for fills, but they must be in time with the piece of music you are playing and tastefully played. Any part of the drum kit can be used, with rolls around the tom-toms and crashing cymbals being very common.

DYNAMICS (the varying degrees of softness and loudness in music) play an important role in music as they add color and feeling.

It is important to note that you don’t need to put every fill you know into one break as some of the best sounding fills are the ones with the least amount of playing in them. You will find that most fills come at the end of every 4, 8, 12, or 16 bars, with the fill taking up the last 1 or 2 beats of the bar of the whole last bar, e.g., in a 12 bar progression you might play the standard beat for 11 bars and use a fill in the last bar to lead back into a repeat of the progression.

In these exercises we will combine a beat with a fill, with the fill taking up 1 or 2 beats of the bar.

In these exercises we will use fills taking up all 4 beats in the bar with the preceding 3 bars being a basic beat.

Solo 2

Andy Griffiths

Andy Griffiths

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Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

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