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Drum Rudiments

Lesson 2/62 | Study Time: 5 Min
Drum Rudiments

Drum Rudiments

DRUM RUDIMENTS are basic drum techniques required to achieve greater stick control. These rudiments shall be introduced over the next twelve lessons and are essential for the development of drumming skills. In this book the exercises illustrating the rudiments are played on the whole drum kit and not just the snare drum. When playing these rudiments it is essential to observe the correct "sticking" (e.g., RLALLR) to achieve greater stick control. These rudiments shall be introduced over the next twelve lessons and are essential for the development of drumming skills. In this book the exercises illustrating the rudiments are played on the whole drum kit and not just the snare drum. When playing these rudiments it is ESSENTIAL to observe the correct "sticking" (e.g., RLALLR)

Rudiment No. 1
The Long Roll or Double Stroke Roll

The Long Roll is formed by playing two left taps or two right taps, followed by two right taps or two left taps respectively, e.g., LLRRLLRRLLRR or RRLLRRLLRRLL.

As you play this rudiment you will probably find that you can play it either slow or fast, but cannot play from slow going through to fast. It is this transition in the middle which gives students the most trouble. The reason for this is that when you are playing the roll slowly you are playing ONE tap with ONE wrist movement, but as your speed increases you begin playing Two taps with One wrist movement. This is called THE BOUNCE. The bounce is achieved by playing the first beat as usual (with the wrist AND forearm), while the second beat is "bounced" and controlled by the fingers. The wrist remains in the DOWN position.

The following exercise introduces thirty-second notes . There are eight thirty-second notes in one quarter note, as illustrated here:

Because of the speed of thirty-second notes, you will play by "feel" rather than counting each individual note.

Try bouncing each hand separately and than together to play Ex. 210. Make sure you relax and don’t tense up and you will find the bounce will come after diligent practice.

Andy Griffiths

Andy Griffiths

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Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

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