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PART ONE

Lesson 2/46 | Study Time: 5 Min
PART ONE

The simple licks and chord structures of Part One can be played after the beginning student has completed Lessons One through Nine of Progressive Blues Harmonica. The number of notes used in each song is limited. They are rhythmically simple, with only one note per beat. Often licks and solos will be demonstrated both with and without single note technique. This will help you begin to develope the ability to obtain clear single notes, beginning with the easily isolated notes at each end of the harmonica, in holes No.1 and No. 10.

In many of the following pages, a lick or licks will be presented first, and then a solo composed of that lick or licks will follow. Both the solo and its attendent licks will share the same exercise number, with the licks also having letter names. Thus the licks used to create solo No.7 would be referred to as licks 7a, 7b, and 7c. Practice the lick or licks first, until you feel able to play them competently, before attempting the entire solo.

For ease of reading, vertical lines known as "bar lines" divide the musical notation into short, easily readable segments known as "bars". When a repeat sign follows a single bar of music, repeat that preceding bar one time more. When a repeat sign follows two bars of music, repeat both preceding bars one more time. When a repeat sign follows a longer sequence of bars or an entire solo, repeat the entire sequence or solo one more time.

As in Progressive Blues Harmonica, the chords that a guitarist or keyboard player would use to accompany you when you are playing a key of C harmonica are written beneath the harmonica notation.

  • For your playing enjoyment, nine "Play-Along" sections have been distributed throughout the recording that accompanies this book. A boxed discussion of each "Play-Along" section is included at the appropriate point in the book.

William Lee Johnson

William Lee Johnson

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Class Sessions

1- PART FOUR 2- PART ONE 3- PART THREE 4- INTRODUCTION 5- PART TWO 6- Which Harmonica To Use With This Book 7- More Trains, Trills and Whistles 8- The Blues Riff Blues Licks and Solo 9- The Five to Three Blues: Take Two 10- The Five to Three Licks and Solo 11- The Notation System Used In This Book 12- Trills and Whistles 13- The Plus One Licks and Solo 14- The Cross Arpeggiated Twelve Bar Blues Licks and Solos: Take Three 15- Adding Licks to the Stop Time Blues 16- The Cross Arpeggiated Twelve Bar Blues Licks and Solos: Take Four 17- Harmonica Technique 18- Train Variations 19- The Two Timing Cross Blues Solo, with Licks 20- The Bar by Bar Blues Solo 21- Wahs in Licks 22- Yo Whistles 23- The Bare Bones Blues Licks and Solo 24- Three Position Hand to Mouth Blues 25- The Scale Prep Blues Licks and Solo 26- The Five to Three Blues Solo, with Licks 27- Yo The Blues: Licks and Solo 28- Jumping and Single Note Practice 29- The Jump to Six Trilling Blues Licks and Solo 30- Additional Single Note Practice 31- The Jump to Six Wah Wah Blues Licks and Solo 32- The Mo’ Yo Blues Licks and Solo 33- More Before the Blues Scale Licks and Solo 34- The Slide to Four Licks and Solo 35- The Slide to Four Blues, with Sliding Licks 36- Simplest First Position Blues Licks and Solo 37- The Stop Time Twelve Bar Blues 38- The Arpeggiated First Position Blues Licks and Solos: Takes One and Two 39- Simplest Third Position Blues Licks and Solo 40- Preparing for the Third Position Blue Scale 41- The Arpeggiated Third Position Licks and Solo 42- The High End Third Position Blues Scale 43- The Jumping First Position Single Note Blues Licks and Solo 44- Saint James Infirmary, With Riffs 45- Saint James Improvery 46- Other Progressive Harmonica Instruction Methods

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