USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

Learning all the Keys

Lesson 3/201 | Study Time: 5 Min
Learning all the Keys

Learning all the Keys

The term "key" describes the central note around which a piece of music is based, e.g., a piece of music in the key of C would derive its notes and chords from a C major scale. A piece of music in the key of A would derive its notes and chords from the A major scale, and so on. After you have learned a scale or mode in one key, it is a good idea to practice playing in every key. E and A are fairly common keys for guitar, but if you are playing with a singer, you would have to play in whatever key suits their particular voice. That could be F# or Db for example. Piano players tend to like the keys of C, F and G, and horn players like flat keys such as F, Bb and Eb. So, you can see there are good reasons for learning to play equally well in every key.

A good way to learn to play in all keys is to use the key cycle (also called the cycle of 5ths or cycle of 4ths). It contains the names of all the keys and is fairly easy to memorize.

Think of the key cycle like a clock. Just as there are 12 points on the clock, there are also 12 keys. C is at the top and it contains no sharps or flats. Moving around clockwise you will find the next key is G, which contains one sharp (F#). The next key is D, which contains two sharps (F# and C#). Progressing further through the sharp keys each key contains an extra sharp, with the new sharp being the 7th note of the new key, the other sharps being any which were contained in the previous key. Therefore the key of A would automatically contain F# and C# which were in the key of D, plus G# which is the 7th note of the A major scale. As you progress around the cycle, each key introduces a new sharp. When you get to F#(at 6 o’clock), the new sharp is called E# which is enharmonically the same as F. Enharmonic means two different ways of writing the same note. Another example of enharmonic spelling would be F# and Gb. This means that Gb could become the name of the key of F#. The key of F# contains six sharps, while the key of Gb contains six flats.

If you start at C again at the top of the cycle and go anti-clockwise you will progress through the flat keys. The key of F contains one flat (Bb), which then becomes the name of the next key around the cycle. In flat keys, the new flat is always the 4th degree of the new key. Continuing around the cycle, the key of Bb contains two flats (Bb and Bb) and so on.

Peter Gelling and Gary Turner

Peter Gelling and Gary Turner

Product Designer
5.00
Profile

Class Sessions

1- INTRODUCTION 2- How to Read Music 3- Notes on the First String 4- The Eighth Note 5- Notes on the Fourth String 6- Chords 7- Minor Chords 8- Rests 9- Seventh Chords 10- The Major Scale 11- The Three Four Time Signature 12- Bass Note Rhythm Patterns 13- Sharp Signs 14- Silent Strums and Continuous Rhythms 15- Flat Signs 16- Learning All the Notes 17- Playing Two Strings Together 18- Minor Keys and Scales 19- The Hammer-On 20- Suspended Chords 21- The Eighth Note Triplet 22- Sixteenth Notes 23- Sixteenth Note Rhythms 24- Major Seventh Chords 25- Minor Seventh Chords 26- Tempo Markings 27- What is a Bar Chord? 28- Root 6 Major Bar Chord 29- Root 6 Minor Bar Chord 30- The Percussive Strum 31- Root 6 Seventh Bar Chord 32- Root 5 Bar Chords 33- Root 5 Minor Bar Chord 34- Root 5 Seventh Bar Chord 35- Rock Chords 36- Dampening 37- Sixth Rock Chords - Root 6 38- Sixth Rock Chords - Root 5 39- 12 Bar Blues Riffs 40- Alternate Picking (Revision) 41- Riffs Using Ties 42- Improvising and Scales 43- The Hammer-On 44- The Slide 45- The Bend 46- Picking the Strings 47- Fingerpicking Pattern 2 48- Fingerpicking Patterns in <span class="symbolA">^</span> Time 49- Playing Notes Together 50- Fingerpicking Pattern 5 51- Fingerpicking Patterns in <span class="symbolA">)</span> Time 52- Clawhammer 53- Clawhammer With Pinch 54- Classical Guitar Style 55- Tuning 56- The Chromatic Scale 57- Chord Charts 58- Transposing 59- Playing in a Band 60- Chord Formula Chart 61- Glossary of Musical Terms 62- Approach to Practice 63- Tablature 64- Count, Pick and Fingering Symbols 65- Alternate Picking 66- Notes on the Fifth String 67- Chord Symbols 68- Visualizing 69- The Lead-In 70- 12 Bar Blues 71- C Major Scale in Open Position 72- <span class="symbolA">^</span> Time Rhythm Patterns 73- Bass Note Rhythm Patterns In Time 74- The F Sharp Note (F<span class="symbolA">#</span>) 75- Silent Strum Symbols 76- The Note B Flat (B<span class="symbolA">b</span>) 77- Tones and Semitones 78- Power Chords 79- The Harmonic Minor Scale 80- Add Nine Chords 81- Shuffle Rhythm 82- Bar Chord Diagrams 83- Enharmonic Notes 84- Root 6 Sixth Bar Chord 85- Root 5 Major Bar Chord 86- Sixteenth Note Rhythms 87- Root 5 Sixth Bar Chord 88- Rock Rhythms 89- Seventh Rock Chords 90- Quarter Note Riffs 91- 12 Bar Blues in A Minor 92- Rests and Syncopation 93- Improvising Pattern 1 94- The Quarter Note Triplet 95- Pattern 1 Extension 96- Licks With Bends 97- Right Hand Finger Names 98- The Slide Finger 99- Two Bar Clawhammer Pattern 100- Tuning Hints 101- Learning all the Keys 102- Song List 103- The Capo 104- Altered Chords 105- Electronic Tuner 106- Music Notation 107- Notes on the Second String 108- Ledger Lines 109- Rhythm Notation 110- Rests with Chord Playing 111- Sequences 112- The G Major Scale 113- Syncopation 114- The F Major Scale 115- Sharps 116- Movable Power Chords 117- The Melodic Minor Scale 118- Slash Chords 119- Swing Rhythm 120- The Formation of a Bar Chord 121- Riff Variation 122- Chord Progressions 123- Riffs Using Triplets 124- Position 125- Slurring 126- The Quick Slide 127- The Release Bend 128- Picking With Your Right Hand Fingers 129- Electronic Tuners 130- Key Signatures 131- Sheet Music 132- Scale Tone Chords 133- Tuning Your Guitar 134- Learning the Notes on the Staff 135- Half Notes and Whole Notes 136- Notes on the Sixth String 137- Strumming 138- Staccato 139- The Key of C Major 140- Key Signatures 141- Playing Air 142- The Chromatic Scale 143- Right Hand Damping 144- Adding Scale Tones to Chords 145- Left Hand Technique 146- Additional Riffs 147- Shuffle Riffs 148- Pattern 1 Licks 149- The Quick Hammer-on 150- Licks Using the Slide 151- Licks With Release Bends 152- Picking With Your Thumb 153- Notes on the Guitar Fretboard 154- Scales 155- Scale Tone Chord Extensions 156- Acoustic Guitars 157- Bar Lines 158- Notes on the Third String 159- Pivot and Guide Fingers 160- Flats 161- Rock Chords 162- Key Note 163- Lead Guitar Solo Number 1 164- The Quick Bend 165- Fingerpicking Pattern 1 166- Natural Notes 167- Electric Guitars 168- Time Signatures 169- The Octave 170- Accompanying a Melody 171- Enharmonic notes 172- A Rock Chord Shapes 173- Using Pattern 1 174- Lead Guitar Solo Number 2 175- Alternating Bass Notes 176- The Chromatic Scale 177- Electric Guitars (played through an amplifier) 178- Chord Symbols 179- Rhythm Patterns 180- D Rock Chord Shapes 181- Minor Pentatonic Scale 182- Jamming Progressions 183- Fingerpicking Accompaniment 184- The A Chromatic Scale 185- Amplifiers 186- Technique Symbols 187- Eighth Note Strumming Rhythms 188- E Rock Chord Shapes 189- Major Pentatonic Scale 190- 12 Bar Blues Progressions 191- The Major Scale 192- Strings 193- Twelve Bar Blues Using Rock Chords 194- Minor Key Progressions 195- Minor Keys 196- Seating 197- Major Key Progressions 198- Standing 199- Major Key Progressions 200- Right Hand and Arm Using the Pick 201- Right Arm Position

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.