The Popping Effect(indicated P)

Lesson 26/40 | Study Time: 5 Min

Course: Metal Bass Technique

The Popping Effect(indicated P)

The Popping Effect (indicated by P) is achieved by pulling the string with the index or middle finger of your right hand and at the same time turning the wrist outwards and then releasing it.

As it snaps back on the finger board and frets, it produces a more attacking rhythmic sound than that produced by the thumb alone. If a "popped" note is to be played following a slapped note you should place P under the string about to be popped at the same time the thumb (T) hits the note to be slapped. e.g. The two actions should be done in the one movement. In this section all the popping exercises are played using octaves.

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Stephan Richter

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Class Sessions

1- INTRODUCTION 2- Symbols and Abbreviations 3- Tablature 4- The Slide (Marked Sand/or G) 5- Pull-offs (PO) 6- Hammer-on and Pull-offs Combination 7- Hammer-on and Pull-offs Tremolo 8- Vibrato(indicated ) 9- Ghost Notes 10- Combining Hammer-on and Ghost Notes 11- Dampening 12- Single Finger Flicking Technique 13- Strumming 14- Finger-Picking Style 15- Arpeggio Style 16- Double Stops 17- Harmonics 18- Alternating Harmonics Between Different Frets 19- Picking with the Thumb 20- Fingerstyle Playing with Dampened Strings 21- Open String/Hammer-on Combination 22- Raking Technique 23- Barring Technique 24- The Slap Technique 25- The Popping Effect(indicated P) 26- Popping Effect with the Thumb 27- Hammer-on Combination with the Slapping Technique 28- Crosshammer 29- Left Hand Hammer-ons with Double-Stops 30- Slapping Wood Technique (indicated d) 31- The Hammer-Attack (indicated by HA) 32- The Tapping Technique (right hand) (indicated L) 33- Tapping with Octaves 34- Right Hand Double-Stop Playing 35- Block Chords 36- Left Hand Double-Stop Playing 37- Double Octave Tapping 38- Chord Tapping 39- Cross Tapping 40- Tuning with Harmonics

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The Popping Effect(indicated P)