Cross Tapping
In the licks below the chord arpeggios are played with the right hand crossing over the left hand to play lower notes on the fretboard (see photo for new hand position).
In Lick 126 the left hand hammer-attack is played higher up the neck than the right hand tapping. This is an A major chord played on the third string.
In Lick 127 the chord (F) is played as an arpeggio on one string.
Lick 128 uses cross tapping and introduces a new major chord arpeggio pattern.
To play Lick 129 you have to tune the E string down one tone to become a D note. Use the cross tapping technique throughout the whole lick. It is based upon the chord arpeggio pattern introduced in the last lick.
Class Sessions
1- INTRODUCTION
2- Symbols and Abbreviations
3- Tablature
4- The Slide (Marked Sand/or <span class="symbolB">G</span>)
5- Pull-offs (PO)
6- Hammer-on and Pull-offs Combination
7- Hammer-on and Pull-offs Tremolo
8- Vibrato(indicated <span class="symbolA"></span>)
9- Ghost Notes
10- Combining Hammer-on and Ghost Notes
11- Dampening
12- Single Finger Flicking Technique
13- Strumming
14- Finger-Picking Style
15- Arpeggio Style
16- Double Stops
17- Harmonics
18- Alternating Harmonics Between Different Frets
19- Picking with the Thumb
20- Fingerstyle Playing with Dampened Strings
21- Open String/Hammer-on Combination
22- Raking Technique
23- Barring Technique
24- The Slap Technique
25- The Popping Effect(indicated P)
26- Popping Effect with the Thumb
27- Hammer-on Combination with the Slapping Technique
28- Crosshammer
29- Left Hand Hammer-ons with Double-Stops
30- Slapping Wood Technique (indicated <span class="symbolA">d</span>)
31- The Hammer-Attack (indicated by HA)
32- The Tapping Technique (right hand) (indicated <span class="symbolB">L</span>)
33- Tapping with Octaves
34- Right Hand Double-Stop Playing
35- Block Chords
36- Left Hand Double-Stop Playing
37- Double Octave Tapping
38- Chord Tapping
39- Cross Tapping
40- Tuning with Harmonics