Common Picking Directions
Using many different rhythm figures often makes picking confusing. Eighth notes are easy because the picking alternates. For triplets and sixteenths however, there are often problems. When playing eighth note triplets it is a good idea to practice them in three ways.
1.All down strokes.
2.Alternating.
3.Down - up - down.
When picking sixteenth notes the general principal is to play a downstroke on any beat or any "and", but to use an upstroke on any "e" or "a". Here are some examples to practice.
Class Sessions
1- Developing a Theme
2- Moving Licks
3- Grace Notes
4- Set Rhythms
5- More Set Rhythms
6- Two Bar Rhythms
7- Ties
8- Across the Bar
9- Triplets
10- Triplet Set Rhythms
11- Sliding Scales
12- Major Pentatonic - Other Forms
13- Chords and Arpeggios
14- Major Pentatonic Scales
15- LESSON TWENTY TWO
16- 12 Bar Arpeggio Riff
17- Arpeggio Solo
18- Sixteenth Notes
19- Set Rhythms With Sixteenths
20- The C Form
21- INTRODUCTION
22- Slow Blues Solo
23- Tremolo
24- The Blues Scale
25- Blues Licks
26- Blues Solo
27- Higher Up
28- The Trill
29- The D Form
30- LESSON THIRTY ONE
31- The Rake
32- Twelve-Eight Time
33- The A Form
34- LESSON THIRTY THREE
35- The G Form
36- Combining Major and Minor
37- Rhythm Notation
38- Common Picking Directions
39- Adding the Minor Third
40- Summary of Scales
41- Chords
42- A New Solo
43- Note Values
44- G Form Solo
45- A Form Solo
46- C Form Solo
47- Diagrams
48- Arpeggios
49- Dotted Notes
50- Combining Forms
51- Tablature
52- The Shuffle
53- Tablature Symbols