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GLOSSARY OF MUSICAL TERMS

Lesson 2/194 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in the pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Andante — an easy walking pace.

Arpeggio — the playing of a chord in consecutive single notes.

Bar — a section of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across all six strings on the guitar.

Bar line — a vertical line drawn across the staff dividing the music into equal sections called bars.

Bass — the lower regions of pitch in general. On guitar, the 4th, 5th and 6th strings.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g. in a song).

Clef —a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda — an ending section of music, signified by the sign v

Common time — and indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — repeat from the sign (indicated thus V) to the word "fine".

Dynamics — the varying degrees of volume, e.g. softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth rest — indicating half a beat of silence is written: j

Enharmonic — describes the difference in notation, but not in pitch, of two notes.

Fermata — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

Flat — a sign, (b) used to lower the pitch of a note by one semitone.

Forte — loud. indicated by the sign f.

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).

Half rest, indicating two beats of silence, is written:g on the third staff line.

Harmony — the simultaneous sounding of two or more different notes.

Interval — the distance between any two notes of different pitch.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g. a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each staff of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato — smoothly, well connected.

Lick — a short musical phrase.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a group of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted to any desired tempo.

Moderato — at a walking pace.

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G, e.g. "the natural notes".

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name.

Open voicing — a chord that has the notes spread out between both hands on the keyboard.

Pitch — the sound produced by a note, determined by the frequency of the vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar, bass, mandolin or banjo.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).

Quarter rest:h indicating one beat of silence.

Repeat signs — used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm — the aspect of music concerned with duration and accent of notes.

Riff — a repeating pattern which may be altered to fit chord changes.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Root note — the note after which a chord or scale is named (also called "key note").

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached, indicated by a dot placed above the note.

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat.

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same note on piano, violin, flute etc. There is usually also a difference in timbre between two instruments of the same type (e.g. two pianos).

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones.

Transposition — the process of changing a piece of music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- How to Read Music 3- Getting Your Hands Moving 4- Notes on the First String 5- The Eighth Note 6- Notes on the Fourth String 7- Playing Two Strings Together 8- Chords 9- Rests 10- Identifying Rhythms 11- Using the Guitar Pickups 12- Minor Chords 13- Arpeggios 14- Learning all the Notes 15- Syncopation 16- Using Guitar Effects 17- The Major Scale 18- More About Major Scales 19- How to Learn a New Key 20- Transposing 21- Minor Keys and Scales 22- Relative Keys 23- Intervals 24- Understanding Chords 25- Chord Construction – Triads 26- Scale Tone Chords 27- Minor Key Scale Tone Triads 28- Suspended Chords 29- Bar Chords 30- Learning the Whole Fretboard 31- The Minor Pentatonic Scale 32- The Triplet 33- More About 12 Bar Blues 34- Sixteenth Notes 35- Slurs 36- The Slide 37- Bending Notes 38- Vibrato 39- The Trail-off 40- Moving to Different Keys 41- Analyzing What You Play 42- Five Forms of the Pentatonic Scale 43- Moving Between Forms 44- The Major Pentatonic Scale 45- The Blues Scale 46- Moveable Chord Shapes in Five Forms 47- Moveable Minor Chord Shapes 48- Seventh Chords 49- Major 7th Chords 50- Extended Chords 51- Playing With a Band 52- Playing With a Rhythm Section 53- Moveable Major Scales 54- Using the Natural Minor Scale 55- Modes 56- Using the Harmonic Minor Scale 57- Right Hand Tapping 58- Harmonics 59- GLOSSARY OF MUSICAL TERMS 60- How to Tune Your Guitar 61- Using the Compact Discs 62- Chord Symbols 63- Right Hand Technique 64- Overdrive and Distortion 65- Alternate Picking 66- Notes on the Fifth String 67- Power Chords 68- Strumming 69- Percussive Strumming 70- Pickup Selector Switches 71- Visualizing 72- Playing Two Strings With the First Finger 73- Tones and Semitones 74- The Lead-in 75- The C Major Scale 76- Keys and Key Signatures 77- The Natural Minor Scale 78- Learning Minor Scales in all Keys 79- Interval Qualities 80- Fingering Variations 81- C Major Chord 82- Major Key Triad Pattern 83- Slash Chords 84- Add Nine Chords 85- Changing Between Shapes 86- Note on the Guitar Fretboard 87- Swing Rhythms 88- New Topic 89- Common 16th Note Figures 90- Slurs Using Open Strings 91- Pattern 1 Extension 92- Pick Tremolo 93- The Trill 94- Identifying Scale Patterns 95- Sliding Pattern 2 96- Relative Major and Minor Pentatonics 97- Five Forms of the Blues Scale 98- Three Note Chord Voicings 99- Three and Four Note Minor Chords Voicings 100- Moveable 7th Chord Forms 101- Minor 7th Chords 102- Eleventh Chords 103- The Bass 104- Twelve Eight Time 105- 5 Forms of the Natural Minor 106- Mode Formulas 107- Five Forms of the Harmonic Minor 108- Adding Left Hand Slurs 109- Pick Harmonics 110- Electronic Guitars 111- Picking the Open Strings 112- Notes on the Second String 113- Notes on the Sixth String 114- Moveable Power Chords 115- Major Chord Formations 116- Developing Rhythmic Control 117- Staccato 118- Sharps 119- Riffs 120- The G Major Scale 121- The Key Cycle 122- The Harmonic Minor Scale 123- Table of Minor Scales 124- Interval Distances 125- Arpeggios in all Keys 126- C Minor Chord 127- Primary Chords 128- Bass Runs 129- Adding Scale Tones To Chords 130- Notes in More Than One Place 131- The Shuffle 132- Pentatonic Blues Solo 133- Gaining Control of 16th Notes 134- The Quick Slide 135- Double Note 136- The Symbols 8va and Loco 137- Four Note Chord Voicings 138- Voicings 139- Thirteenth Chords 140- Bass Music Notation 141- Thirty Second Notes 142- Relative Major and Minor Fingerings 143- Modal Tonalities 144- Touch Harmonics 145- Tuning Your Guitar 146- Left Hand Technique 147- Notes on the Third String 148- Right Hand Damping 149- Pivot and Guide Fingers 150- Ties 151- The Chromatic Scale 152- The F Major Scale 153- Major Scales in all Keys 154- The Melodic Minor Scale 155- Finding Intervals on the Fretboard 156- C Augmented Chord 157- Harmonizing Melodies 158- Chords in Other Minor Keys 159- Position Playing 160- Understanding Triplet Rhythms 161- Power Chord Sixteenth Note Rhythm Parts 162- Licks Using the Slide 163- Root 4 and Root 3 Chords 164- Swamp Sounds 165- Memorizing Scale and Chord Degrees 166- The Drums 167- Jam Along Progressions 168- Electric Guitars 169- The Open Position 170- The Octave 171- Rock "n" Roll Chords 172- Flats 173- Identifying Intervals by Ear 174- C Diminished Chord 175- Common Progressions 176- Transposing in Minor Keys 177- Higher and Lower Octaves of Notes 178- Sixteenth Note Triplets 179- Omitting Notes From Chords 180- Drum Notation 181- Listening 182- Electric Guitars Pickups 183- Twelve Bar Blues 184- Augmented and Diminished Chords 185- Chord Shapes 186- Harmonic Minor Scale Tone Chords 187- Sliding Chords 188- Chord Formula Chart 189- Amplifiers 190- Melodic Minor Scale Tone Chords 191- The Seven Sharp Nine Chord 192- Types of Amplifiers 193- Understanding the Control Knobs 194- String

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