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The Ultimate Melodic Instrument

Lesson 6/71 | Study Time: 5 Min
The Ultimate Melodic Instrument

The Ultimate Melodic Instrument

The human voice can be thought of as the ultimate melodic instrument, because it is capable of instant expression with no instrument required to translate thoughts and feelings into sound.

The voice is capable of a huge variety and depth of expressions. With the human voice, thought almost equals sound. As a baby begins to communicate with its parents and relatives, the body instinctively learns how to reproduce all the sounds of language heard by the ears and processed by the brain.

Later, when the child begins to learn about language at school, vowels, consonants, words, phrases, sentences, etc. are all analyzed and classified and this natural learning expands into a whole world of communication. With singing it is largely the same process.

There are many different sounds used in various styles of singing, including slides, dips, growls, pure bell like tones, etc. These can all be learned simply by imitating the sounds you hear and then working at perfecting them. Many times in music, instruments imitate the human voice because of its pure expression and feeling.

A classic example of this is in African American music such as Blues or Gospel, where an instrument or group of instruments answers a singer in a "call and response" style. This is demonstrated in the following example, where the voice is answered by the guitar.

Because the human voice was used for expression before the invention of instruments and because all melodic instruments learn from the human voice, it can be said that all music comes from vocal music.

 
Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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