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The Major Scale

Lesson 2/71 | Study Time: 5 Min
The Major Scale

The Major Scale

Most melodies are derived from scales. A scale is a pattern of notes at different pitches, which can be repeated in higher or lower registers and sung or played on any melodic instrument. Apart from vocal melodies, most bass lines and lead solos are also made up of notes from scales.

A scale may start on any pitch and the name of the starting note of the scale determines the name of the scale. The most common building block for melodies is the major scale. The simplest of these is the C major scale, which starts and ends on the note C and contains all of the natural notes used in music.

A major scale is a group of eight notes that produces the familiar sound:

In the C major scale, these sounds are represented by the notes:

On the keyboard, the C major scale represents all the white notes, beginning and ending on C in any octave.

The following example demonstrates the C major scale sung by both female (treble staff) and male (bass staff) voices. Sing along with the one which best suits your voice range.

The first note and last note of a major scale always have the same name. In the C major scale the distance from the lowest C to the C note above it is one octave. This example is one octave of the C major scale. Each of the voices is also one octave apart.

The major scale is built up from a pattern of two types of intervals (distances between notes). These intervals are called the tone (indicated by T) and the semitone (indicated by S). A semitone is the smallest interval used in western music.

Notes which are a tone apart leave room for other notes between them. These in between notes are called sharps and flats which are discussed in the following lesson. The numbers under the letter names are scale degrees which indicate the position of each note in the scale.

On the keyboard, the distance between one key and the key directly next to it on either side is a semitone. Keys a semitone apart are usually one black and one white key, except for E to F and B to C which are semitones involving two white keys. Working out the distance of a whole tone is easy as it is simply two semitones. As you can see from the C major scale, all other white key notes apart from E to F and B to C are a whole tone apart.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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