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Vibrato

Lesson 11/71 | Study Time: 5 Min
Vibrato

Vibrato

Another expressive technique which is common to both singers and instrumentalists is vibrato. This is a method of altering the quality of a note once it has been sounded. It generally occurs on longer sustained notes and can be heard as a slight wavering of the pitch and volume of a note, that may be fast, slow or anywhere in between.

The speed and width of vibrato are a matter of personal taste and often depend on the musical situation. There are several methods of producing vibrato with the voice. These involve movement of the diaphragm, the throat and the larynx in various combinations.

The easiest way to begin developing vibrato is to imagine you are your favorite singer and to imitate the sound of their vibrato. It is a good idea to exaggerate at first, but once you have control of it, don’t forget to ease off, as singers who over-use vibrato can be very irritating.

Vibrato is a very personal thing and can add a lot of character and warmth to your voice but it may take some time to develop. It is probably a good idea to work with a teacher when you are learning vibrato, as it can be difficult to obtain a good sound at first.

One of the most important aspects of learning is listening. You can learn a lot about vibrato by simply listening to singers you admire and imitating their sound.

By this stage in your development, you should be listening to albums featuring great singing every day. Listen to the following example to hear the effect of vibrato and then try it yourself. The note begins with no vibrato and the vibrato is added while the note sustains.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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