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Swing Rhythms

Lesson 3/71 | Study Time: 5 Min
Swing Rhythms

Swing Rhythms

A swing rhythm can be created by playing or singing only the first and third notes of a triplet. There are several different ways of writing swing rhythms. To understand them it is worth using one musical example written in various ways. First, using the syllable ba, sing example 58, which contains eighth note triplets.

This variation has the first and second notes of the triplet group tied. This gives the example a swing feel.

The two eighth note triplets tied together in example 59 can be replaced by a quarter note.

To simplify notation, it is common to replace 6 the with z , and to write at the start of the piece 6 = z as illustrated in example 61.

The previous three examples sound exactly the same. They are just different ways of notating the same melody.

This song was made famous by Louis Armstrong. It is played and sung with a swing feel. This means that all the eighth notes in the song are swung. There are many songs in various styles that have a swing feel. They are particularly common in Blues and Jazz as well as Gospel, Rock and Country music.

The second version of this song is in the key of E minor. Once again, there are slight differences in phrasing between the two versions. Sing along with the version that feels most comfortable for your vocal range.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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