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Studio Microphones

Lesson 10/71 | Study Time: 5 Min
Studio Microphones

Studio Microphones

In a recording studio, a different type of microphone called a condenser microphone is often used. These microphones are much more sensitive than dynamic microphones.

Since the singer in the studio is usually hearing the accompaniment through headphones, the microphone can afford to be more sensitive at a much lower volume. Condenser mics pick up many more subtleties and provide a deeper and more detailed sound than dynamic mics. Condenser mics also contain a capacitor and need electric power to run.

When singing into a condenser mic, you can afford to be a little further back from it. However, there is generally a best position or "sweet spot" where your voice will sound best.

This varies from one voice to another and from one condenser microphone to another, so when you are in a recording situation and are unsure of the sound, it is best to try a few different mics and experiment with the positioning of each one before deciding what sounds best. The recording engineer will usually be able to hear your voice and choose a microphone which will complement it.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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