USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

GLOSSARY OF MUSICAL TERMS

Lesson 2/71 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental - a sign used to show a temporary change in pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib - to be played at the performer’s own discretion.

Allegretto - moderately fast.

Allegro - fast and lively.

Andante - an easy walking pace.

Arpeggio - the playing of a chord in single note fashion.

Bar - a division of music occurring between two bar lines (also called a ’measure’).

Bar chord - a chord played with one finger lying across all six strings on the guitar.

Bar line - a vertical line drawn across the staff dividing the music into equal sections called bars.

Bass - the lower regions of pitch in general. On guitar, the 4th, 5th and 6th strings.

Chord - a combination of three or more different notes played together.

Chord progression - a series of chords played as a musical unit (e.g., as in a song).

Clef - a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda - an ending section of music, signified by the sign v.

Common time - and indication of * time - four quarter note beats per bar (also indicated by Q).

D.C al fine - a repeat from the sign (indicated thus V) to the word ’fine’.

Dynamics - the varying degrees of softness (indicated by the term ’piano’) and loudness (indicated by the term ’forte’) in music.

Eighth note - a note with the value of half a beat in * time, indicated thus 5(also called a quaver).

The eighth note rest - indicating half a beat of silence is written:j

Enharmonic - describes the difference in notation, but not in pitch, of two notes.

Fermata - a sign,?, used to indicate that a note or chord is held to the player’s own discretion (also called a ‘pause sign’).

Flat - a sign, (b)used to lower the pitch of a note by one semitone.

Forte - loud. Indicated by the sign f .

Half note - a note with the value of two beats in * time, indicated thus:1(also called a minim). The half note rest, indicating two beats of silence, is written: g on the third staff line.

Harmony - the simultaneous sounding of two or more different notes.

Interval - the distance between any two notes of different pitches.

Key - describes the notes used in a composition in regards to the major or minor scale from which they are taken; for example, a piece ‘in the key of C major’ describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B - i.e., from the C scale.

Key signature - a sign, placed at the beginning of each stave of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines - small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato - smoothly, well connected.

Major scale - a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody - a group of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome - a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo.

Moderato - at a moderate pace.Natural - a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., ‘the natural notes’.

Note - a single sound with a given pitch and duration.

Octave - the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name.

Open voicing - a chord that has the notes spread out between both hands on the keyboard.

Pitch - the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as ‘high’ or ‘low’.

Plectrum - a small object (often of a triangular shape)made of plastic which is used to pick or strum the strings of a guitar.

Position - a term used to describe the location of the left hand on the guitar fret board. The left hand position is determined by the fret location of the first finger. The 1st position refers to the 1st to 4th frets. The 3rd position refers to the 3rd to 6th frets and so on.

Quarter note - a note with the value of one beat in * time, indicated thus 3(also called a crotchet). The quarter note rest, indicating one beat of silence, is written:h.

Repeat signs - used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm - the note after which a chord or scale is named (also called ‘key note’).

Semitone - the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Sharp - a sign (#) used to raise the pitch of a note by one semitone.

Staccato - to play short and detached. Indicated by a dot placed above the note.

Staff - five parallel lines together with four spaces, upon which music is written.

Syncopation - the placing of an accent on a normally unaccented beat.

Tempo - the speed of a piece.

Tie - a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre - a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called ‘tone color’). A given note on the guitar will sound different (and therefore distinguishable) from the same pitched note on piano, violin, flute etc. There is usually also a difference in timbre from one guitar to another.

Time signature - a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone - a distance of two frets; i.e., the equivalent of two semitones.

Transposition - the process of changing music from one key to another.

Treble - the upper regions of pitch in general.

Treble clef - a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called ‘G clef’) is placed so that the second line indicates as G note.

Peter Gelling

Peter Gelling

Product Designer
4.79
Profile

Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.