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First and Second Endings

Lesson 5/71 | Study Time: 5 Min
First and Second Endings

First and Second Endings

The next song contains first and second endings. The first time you sing through the verse, sing the first ending (Z), then go back to the beginning. The second time you sing through the verse, sing the second ending (X) 2. instead of the first.

This traditional English folk song is written here in the key of E minor, which is the relative minor of G major. It is in ^ time and once again begins with a lead-in note. Notice the F# note written as a key signature for the key of E minor in this song, reminding you to treat all F notes as F#.

Notice also the frequent use of other sharps in this song. When sharps or flats occur that are not part of the key signature, they are called accidentals. An accidental is a temporary alteration to the pitch of a note and is canceled by a bar line.

Both our male singer and our female singer found E minor a comfortable key for singing this song. Once again, the difference is that they are singing the same notes in different octaves.

2. I have been ready at your hand
To grant whatever you would crave,
I have both wagered life and land,
Your love and good will for to have.

3. I bought thee petticoats of the best,
The cloth so fine as it might be,
I gave thee jewels for the chest,
And all this cost I spent on thee.

4. Well, I will pray to God on high,
That thou my constancy may’st see,
For I am still thy lover true;
Come once again and love me.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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