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Moving Between Registers

Lesson 10/71 | Study Time: 5 Min
Moving Between Registers

Moving Between Registers

One of the most difficult aspects of singing is achieving an even tone when moving between low and high registers. Most mature voices have a vocal range of about 2 octaves (approximately 13 or 14 white notes on the keyboard).

The eventual aim of a singer should be to have the lowest notes of the chest voice up to the highest notes of the head voice connected in a smooth, even manner. When moving from high notes to low notes and back again, many singers have one or more notes near the middle of their range that require(s) practice to develop an even tone. As mentioned earlier, this is called the break.

A good way to work at reducing the effect and severity of a break is to practice slurring from one octave of a note up to the next octave of that note and back down again to the original note.

This is demonstrated in the following example, which begins on a C note and glides up to another C note an octave above before falling back to the first C note. This pattern then continues up a semitone on a C# note, then a D note, and so on up to a G note.

This example is not notated, so you will need to listen carefully to learn it. If some notes feel too high or too low for your voice, start and finish on whatever notes feel most appropriate for you.

As you move through the different pitches, try to keep each note at the same volume and tone as the preceding ones. Work on this exercise for short periods and remember to stop if you feel you are straining your voice.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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