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Learning to Sing

Lesson 10/71 | Study Time: 5 Min
Learning to Sing

Learning to Sing

As mentioned previously, the body instinctively knows how to sing. Becoming a better singer is simply a matter of training and improving a natural process.

As with any activity, there will always be some people who seem able to do it well and sound great with very little work and others who have to spend much more time developing their voice and technique, but you can be sure that all of the "great" singers you can think of in any style of music have spent many years perfecting their craft. Everyone starts with a voice, only time will tell where it can go from there.

Although singing is a natural process, there are certain basic principles which can be applied to make the most of your particular voice. The most important of these is keeping the pathway of the voice as open and relaxed as possible.

When you yawn, the pathway from your lungs to your lips is completely open. When singing, the mouth is not usually open as much as when yawning, but the general position and shape is the same.

When forming all the different words used in speech, the position of the lips, jaw, tongue and throat will all change, but if you keep in mind that the best sounds come from an open and relaxed approach, you will be able to achieve a better singing tone regardless of the words you are singing.

Peter Gelling

Peter Gelling

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Class Sessions

1- Everyone Can Sing 2- GLOSSARY OF MUSICAL TERMS 3- Performing in Public 4- Transposing 5- The Triplet 6- The Tie 7- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 8- Sounds Used in Singing 9- The Major Scale 10- Voice Types and Ranges 11- Understanding Music 12- INTRODUCTION 13- Vowels 14- Octave Displacement 15- The Chromatic Scale 16- Syncopation 17- How to Find Your Voice Range 18- Swing Rhythms 19- Harmony and Chords 20- How to Read Music 21- Matching Pitches and Rhythms 22- Overcoming Nerves 23- Vocal Range 24- Interpretation and Improvisation 25- How Chords Relate to Scales 26- The Lead-in 27- Diphthongs 28- Eye Contact 29- Intervals 30- Sol-fa Syllables 31- The Keyboard 32- When to Breathe 33- Timbre 34- First and Second Endings 35- Matching Pitches 36- Keys 37- A Word About Pitch 38- Arpeggios 39- Stage Presence and Stage Craft 40- The Shaping of Vowels 41- Chord Progressions 42- The Octave 43- Rests 44- Developing Your Own Style 45- Relative Minor Keys 46- The Ultimate Melodic Instrument 47- Consonants 48- Microphones 49- The Importance of Timing 50- Dynamics 51- How We Sing 52- Breathing 53- Microphones for Performing Live 54- Slurs 55- Phrasing and Expression 56- Microphone Technique 57- Posture 58- Learning to Sing 59- Studio Microphones 60- Moving Between Registers 61- Vibrato 62- Pre-Hearing Notes 63- Warming Up 64- Common Problems 65- Looking After Your Voice 66- Approach to Practice 67- Registers 68- Working With a Teacher 69- Listening 70- Breath Control 71- Recording Yourself

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