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Picking Patterns

Lesson 3/64 | Study Time: 5 Min
Picking Patterns

Picking Patterns

A picking pattern is when the right hand picks the strings in a set order and repeats that order of strings over and over again. The pattern is often played throughout a chord progression, i.e., the right hand maintains a strict right hand pattern as the left hand changes through different chord shapes. Learning basic picking patterns is an excellent way to begin fingerpicking.

Alternating Thumb Style - Fingerpicking Pattern One

The order of strings to play for the first fingerpicking pattern is as follows. This pattern consists of four movements. The thumb (p) first picks the root bass note. The i finger then picks the second string.

The thumb then plays the alternative bass note. Finally the m finger picks the first string.

It is important to understand that each note in this pattern is valued as an eighth note (half a beat). It is necessary therefore to play the pattern twice to complete one bar of * time (four beats to every bar). Most of the fingerpicking patterns in this book will be in * time. Once again, the most important aspect of this type of fingerpicking pattern is the thumb strikes a bass string on every beat of the bar.

The following chart highlights the first fingerpicking pattern, which strings are played and on which beat of the bar. The symbol R in the circle is used to indicate the root bass note. The symbol A in the circle is used to indicate the alternating bass note The number in the circle indicates the string.

Alternative Chord Fingerings

G(alternative fingering)

 

Alternative chord fingerings are commonly used in fingerpicking guitar styles. Most alternative chord fingerings use less fretting fingers to allow a left hand fretting finger to hold down other notes within the chord.

Sometimes it is not necessary to fret all of the notes that usually make up a chord because the right hand fingers may not pick all the strings within that chord. When using the first alternating thumb style pattern to a basic G chord the fifth string is not played so it is not necessary to hold the note on the second fret of that string that is normally fretted for the G chord. The chord can then be fingered as shown in the following diagram.

The alternating thumb style pattern is applied to a G chord in the following example. Practice this pattern slowly at first, then gradually increase the tempo until you can play it more comfortably.

 

E(alternative fingering)

 

The basic E chord is another chord that is often fretted using an alternative fingering. Once again the fifth string is not played so it is not necessary to hold the note on the second fret of that string that is normally fretted for the E chord. The chord can then be fingered as shown in the following diagram.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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