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Open G Tuning

Lesson 2/64 | Study Time: 5 Min
Open G Tuning

Open G Tuning

The first real open tuning you will learn is open G tuning. Open G tuning is the same as dropped G tuning except the first string (E) is also lowered one tone to the not e D. The open string notes as shown in the following diagram are therefore (beginning with the sixth string);

These notes form a G major chord. A G major chord consists of the notes G, B and D. For more information on chord construction see the back of this book.

Tuning the Guitar to Itself

To tune to open G tuning, first lower the sixth and fifth strings to D and G (dropped G tuning) as explained in Lesson 27. Then try one of the following options to tune the first string to the high D note.

Option 1:
Place a left hand finger on the second string at the 3rd fret (a D note), and play the string. Play the open first string (an E note). Turn the first string tuning key slowly in a clockwise direction, lowering the pitch of this string until the open string note is the same pitch as the third fret, second string. The open first string will now be a high D note.

Option 2:
Place a left hand finger on the fourth string at the 12th fret (a D note), and play the string. Play the open first string (an E note). Turn the first string tuning key slowly in a clockwise direction, lowering the pitch of this string until the open string note is the same pitch as the 12th fret, fourth string. The open first string will now be a high D note.

Octaves - Open G Tuning

A popular technique in open tuning is the use of octaves. An octave is the interval between two notes of the same name, 12 frets apart. Octaves are easily played in open G tuning because they can be played on the same frets. This next diagram highlights the location of some open string and fretted octaves. Octaves are then used in the following example.

Bar Chords - Open G Tuning

The most commonly used bar chords in open tuning are based upon the major chord, played simply as a 1st finger bar across all the strings. Various extended chords can be created by adding other fretted notes to the chord shape. Here are some of the more popular chords. The key note for open G bar chords is on the fifth string.

Major

Seventh

Sixth

Suspended

Add Ninth

Ninth

Example 216 makes use of some of these chord shapes. This is an 8 bar Blues progression based around the open G chord, C on the 5th fret and D on the 7th fret.

The Spanish Spinster is a solo in open G tuning. This piece combines a melody line, an arpeggio picking pattern and a syncopated bass line.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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