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Advanced Arrangements

Lesson 2/64 | Study Time: 5 Min
Advanced Arrangements

Advanced Arrangements

This lesson contains advanced arrangements of some popular songs. These arrangements will prove to be more challenging than the examples that appeared previously. Once you are comfortable playing the songs in this lesson try applying the techniques and licks from these pieces to some of the earlier examples and songs.

The first song in this lesson is a traditional Folk Blues song called Frankie and Johnny.

Walking Bass Line

The arrangement to Frankie and Johnny makes use of a walking bass line. A walking bass line is a bass line that ascends or descends a scale. The walking bass line gives the impression the notes are "walking" up and down a scale.

This effect is demonstrated in example 97.

In the following arrangement of Frankie and Johnny a slide is used on the second string. This slide occurs as the left hand changes from a basic G chord to a G bar chord on the 3rd fret. This slide is highlighted in example 98. Special attention should be given to the suggested left hand fingering.

Now try the arrangement to Frankie and Johnny. This arrangement incorporates several techniques that were outlined in earlier lessons, in particular the use of bass runs. It is essential that you take careful note of the recommended left hand fingering.

The next song, Oh, Bury Me Not On the Lone Prairie is an old cowboy song. First practice the melody line which begins on the second beat of the bar.

Country Bass Line Pattern

A popular bass line pattern is shown next over the basic C and G chords. This pattern includes the playing of an extra note which needs to be fretted with the left hand, on the second fret in the case of the C and G chords. The root bass note is played first. The second bass note is always the fifth note from the scale.

The third bass note is the sixth note from the scale (two frets higher than the second bass note). The last bass note in the pattern is the same as the second bass note. For more information on the notes that make up scales see the section on scales at the back of this book.

The following arrangement of Oh, Bury Me Not On the Lone Prairie makes use of the Country bass line pattern introduced in the previous example. This bass line is used in the bars where the melody is played only on the first beat of the bar. Using this bass line is an alternative to playing a basic fingerpicking pattern to fill out the sound. Special attention should be given to the suggested left hand fingering.

The next song is a traditional American Folk song called Shenandoah.

More Bass Runs

There are literally endless ways of using bass runs. One interesting technique is playing two bass notes per beat, sometimes referred to as "doubling the bass". This technique is demonstrated in the following example.

The next arrangement has a bass line that makes use of eighth notes and sixteenth notes.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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