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More Jazz Chords and Techniques

Lesson 2/64 | Study Time: 5 Min
More Jazz Chords and Techniques

More Jazz Chords and Techniques

In this lesson you will learn how to expand upon the basic Jazz style. Several more Jazz chords are introduced as well as some more left hand and right hand techniques that can be incorporated into the Jazz fingerpicking style.

Lead-in Chords

A popular rhythm technique is the use of lead-in chords. A lead-in chord is often a chord played just before a new chord change. The chosen chord is usually the same chord, only one fret lower or higher. Lead-in chords are used in the following example.

Arpeggio Style Jazz

Another distinguishing feature of the Jazz fingerstyle guitar is the use of the arpeggio style. The arpeggio style was first introduced in Lesson 6. The following example applies the arpeggio style to an eight bar progression that features major seventh chords.

Major Sixth Chords

Major sixth Jazz chord shapes are the next set of chords to. Study the following two diagrams that highlight the root six and root six major sixth chords.

Major Sixth (root six)

Major Sixth (root five)

Major Sixth (root five)

Major sixth chords feature in the following example.

Jazz Chord-First Position

Here is a selection of Jazz chord shapes which are played mainly on the first three strings. When fingerpicking these chord shapes the right hand will be in the first position. The right hand 1st finger (i) is allocated to the 3rd string.

The 2nd finger (m) is allocated to the 2nd string and the 3rd finger (a) is allocated to the 1st string.

Major Root Four

Major Root Two

Major Root Three

Minor Root Four

Minor Root Four

Minor Root Two

Seventh Root Four

Seventh Root One

Seventh Root Three

Maj. Seventh Root Four

Maj. Seventh Root Four

Maj. Seventh Root Three

Min. Seventh Root One

Min. Seventh Root Five

Min. Seventh Root Four

Major Sixth Root Three

Major Sixth Root Four

Major Sixth Root one

The following example makes use of many of these chord shapes. This chord progression is also in ^ time, a total of three beats per bar. A combination of the bass chord style and the arpeggio style is used. Once you are familiar with the progression, experiment by playing the same chords but using a different root position. A good Jazz fingerpicker needs to know as many different chord positions as possible.

Minor Sixth Chords

Three Jazz shapes for the minor sixth chord are now shown. The first shape is a second position chord. The other two shapes first position shapes.

Minor sixth (root six)

Minor sixth (root one)

Minor sixth (root five)

Minor sixth chords feature in the following example.

Ninth Chords

The final chord to learn in this lesson is the ninth chord. The ninth chord is popular chord used in Jazz and Blues. Study the following diagrams and then try example 177 that makes use of all three chord shapes.

Ninth (root six)

Ninth (root five)

Ninth (root four)

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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