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How Chords Are Formed

Lesson 13/64 | Study Time: 5 Min
How Chords Are Formed

How Chords Are Formed

It will be helpful to have a basic understanding of how chords are formed. The following pages provide an insight into the construction of many of the chords throughout the book.

The Major Scale

The first thing to understand about the formation of chords is that chords are made up of notes taken directly from the major scale. At the beginning of each group of chords throughout this book the major scale is shown with the note names and the degrees of the scale. The thirteen notes of the scale given in the example are needed to form all types of chords. Study the following diagrams, the examples shown are the C major scale and the G major scale. Scales are explained in more detail on the previous pages.

Chord Construction

A chord is made up of 3 or more notes from the major scale, e.g., the major chord is made up of the 1st, 3rd and 5th notes of the major scale. To form the C major chord the 1st, 3rd and 5th notes of the C major scale are required. As shown in the previous C scale diagram, the notes needed are C, E and G. To form the G major chord the 1st, 3rd and 5th notes of the C major scale are required. As shown in the G scale diagram, the notes needed are G, B and D.

G

C

Chord Formula Chart

The following table lists the most common chord types and the note degrees from the major scale required for each chord. An example for each chord type is shown in the key of C. Study the diagram and its relationship to the C major scale (previous diagram).

Chord Symbols and Alternatives

In sheet music notation, there is a lack of uniformity in writing chord symbols. For example, the C major seventh chord can be written as either "Cmaj7" (used in this book), "CN7" or "CM7". The following table outlines symbols used in this book, together with correct pronunciation and alternative symbols used for each chord type.

In sheet music, chord symbols which indicate the bass note to play are sometimes used. For example, C/G indicates a C chord with a G bass note (it may also be written C/G bass). The bass note will not always be a note of the chord; for example, Am/G is an A minor chord with a G bass note, which could also be called Am7.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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