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Advanced Picking Techniques

Lesson 2/64 | Study Time: 5 Min
Advanced Picking Techniques

Advanced Picking Techniques

This lesson covers fingerpicking techniques that are used in advanced Jazz fingerpicking styles. Some of these techniques will prove to be quite challenging so feel free to continue with the following lessons and return to this lesson later. Several new Jazz chord shapes are also introduced throughout this lesson.

Eleventh Chords

The eleventh chord is another chord type that is frequently used in Jazz. The following diagrams highlight three common Jazz chord shapes.

Eleventh (root three)

Eleventh (root five)

Eleventh (root four)

Thumb Percussion

An interesting effect to use is thumb percussion. To apply this technique the right hand thumb hits the 6th string against the fretboard causing a quick rattle sound. The strike normally occurs on the 2nd and 4th beats of the bar, simulating the sound of a snare drum.

Hit thumb against 6th string.

Thumb percussion is applied to the following progression.

Thirteenth Chords

Thirteenth chords are also frequently used in Jazz guitar. Three Jazz chord shapes are shown.

Thirteenth (root six)

Thirteenth (root five)

Thirteenth (root three)

Thumb Percussion - Variation

A variation on the thumb percussion technique is to hit the body of the guitar with the side of the left hand thumb to produce a "knocking" sound, simulating the sound of a wooden block. This technique, notated as a block, is demonstrated next.

Thirteenth chords are also featured in the following example.

Diminished Chords

At this stage it will be useful to review the diminished chord shapes. The diminished chords were used often in the Ragtime examples and solos that featured in earlier lessons.

Remember that although each shape has four names it is good to use diminished chords based upon one of these following root positions (see Lesson 16).

Diminished (root six)

Diminished (root five)

Diminished (root four)

Finger Roll

A finger roll is the playing of the notes in a chord very quickly from the lowest note to the highest note. Although each note is picked separately, all notes within the chord share the same time value. This technique is demonstrated in the next example, notated as a wavy line.

Finger roll and diminished chords feature in the following example.

Ghost Notes

Using ghost notes is a left hand technique that can also be used as a percussive tool. To play a ghost note the left hand playing the note releases the pressure on the string so when the note is picked a "muted" sound is produced. This technique, notated as a cross, is demonstrated next.

Ghost notes are featured in the following example.

Thumb Slapping

Thumb strikes string against fretboard.

This technique is usually employed by bass guitarists but can be adapted to the Jazz fingerpicking guitar style. Thumb slapping requires the side of the right hand thumb to strike the string against the fretboard as a note is fretted with the left hand. The thumb strikes the fretboard at the sound hole end, then immediately pulls away from the string. A slap is indicated with a down arrow.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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