USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

Blues Bass Line Techniques

Lesson 2/64 | Study Time: 5 Min
Blues Bass Line Techniques

Blues Bass Line Techniques

This lesson will introduce some of the popular bass line techniques that can be incorporated into any Blues fingerpicking bass line.

Right Hand Muting

Right hand muting is achieved by lightly resting the butt of the right hand on the bass strings near the bridge of the guitar while picking, producing a slightly muted sound to the bass note. Do not press too heavily on the strings as the note will be completely muted creating a "dead" sound instead.

The next lick uses a right hand mute. A muted note is indicated by the symbol X.

Now an eight bar Blues that employs muting. Note the use of rests in the bass.

Doubling The bass Line

Doubling the bass line is the playing of two bass notes per beat. The two bass notes are usually played on the first and third parts of a triplet rhythm. This technique is quite difficult at first to get used to. The following example combines a doubling bass line with a relatively simple lick.

Lead-in Bass Notes

Lead-in bass notes can also be incorporated into any bass line. Lead-in bass notes are one or more selected bass notes that are playing just before the first root bass note of a new chord change.

The chosen bass notes are usually one or two frets before the new root bass note. This is clearly shown in the following example.

The following twelve bar Blues progression uses a doubling bass line and incorporates lead-in bass notes on some chord changes.

Blues Bass Runs

Another interesting way to enhance a Blues fingerpicking solo is to incorporate bass runs. A bass run should be considered as a group of bass notes played in the same way a lick is played on the treble strings. The notes which are chosen to play a bass run are usually based upon the Minor Pentatonic and Blues scales.

The location of these notes, for the keys of A and E, can be found by studying the diagrams in Lessons 12 and 13. Bass runs are utilized in the following eight bar Blues progression in the key of E.
This example combines some relatively simple licks played on the treble strings with a bass line that makes full use of bass runs.

Brett Duncan

Brett Duncan

Product Designer
5.00
Profile

Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.