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Jazz Chord Shapes

Lesson 3/64 | Study Time: 5 Min
Jazz Chord Shapes

Jazz Chord Shapes

When playing any style of Jazz guitar a knowledge of Jazz chord shapes is essential. Most Jazz guitarists play common bar chords with an alternative fingering. Often the bar is not used and any strings not containing a fretted note are muted. Some popular alternative chord fingerings are shown in these diagrams.

Major (root six)

Major (root six)

Major (root five)

Major (root five)

Minor (root five)

Seventh (root five)

String Muting

When using Jazz chords it is important to be aware of the strings not being played. It is essential that these strings are muted so they do not sound. Open strings can cause unwanted noises such as overtones and feedback. Four methods of muting are:

  • Touching the bass strings near the bridge with the palm of the right hand.
  • Touching the bass strings with the left hand thumb.
  • Touching the bass strings with the tip of a left hand finger.
  • Touching the first string with the side of the first finger.

Study these photos and try applying the technique to the new chord shapes.

Try the following progression using these chord shapes.

Minor Seventh Chords

Minor Seventh (root five)

Minor Seventh (root six)

The next set of chords to learn are the minor seventh Jazz chord shapes. Study the following two diagrams that highlight the root six and root five minor seventh

Minor seventh chords feature in the following example. Damping is also recommended on some of the chords. These damping indicators are only suggestions. As you become comfortable with the example you may find you are using alternative damps.

Bass Chord Rhythms

There are a variety of interesting rhythms than can be created using the bass chord style. An example of a bass chord rhythm is shown next.

The next progression features another example of a bass chord rhythm.

Seventh (root six)

The next example is a Jazz-Blues progression that makes use of a constant bass chord rhythm. A new Jazz chord is introduced, an alternative fingering for the root six dominant seventh chord.

Major Seventh Chords

Major Seventh (root five)

Major Seventh (root six)

The next set of chords to learn are the major seventh Jazz chord shapes. Study the following two diagrams that highlight the root six and root five major seventh chords.

Major seventh chords and a variety of bass chord rhythms feature in the following example.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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