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Ragtime Fingerpicking Guitar

Lesson 2/64 | Study Time: 5 Min
Ragtime Fingerpicking Guitar

Ragtime Fingerpicking Guitar

In this lesson you will learn about the rhythms and techniques which are characteristic of the Ragtime guitar style. Ragtime is a style of music from the beginning of the last century. Originally written for piano, Ragtime music transcribes well to the guitar.

The % Time Signature

Most Ragtime music is written in % time, a total of two quarter notes per bar. Study this next example, counted as 1 ee and ah, 2 ee and ah etc. The pulse or accent is on the first and second beat, indicated by the wedge symbol.

Simple Notation

To simplify the music notation the previous example is often rewritten using the * time signature. Sixteenth notes become eighth notes, eighth notes become quarter notes etc. Now try the same example, counting 1 and 2 and 3 and 4 and etc.

Note that this example will sound different because there are now four accents in each bar.

Cut Time W or $

An ideal compromise in writing Ragtime music is to notate in * time, but use the cut time signature (W). This time signature is the same as $ time, two half notes per bar. In simple terms, using the cut time signature suggests the pulse or accent is on the first and third beats.

In doing this, exercise 141 will sound the same as the % example (exercise 139) but is easier to notate and read.

The Cut Time Bass Line

The cut time bass line is the same as the optional bass note line introduced in Lesson 4. Example 142 is based upon the previous example except the third beat bass note changes to the low G note on the sixth string (C/G chord).

Diminished Chords

EboAoCoF#o

Diminished chords feature a lot in Ragtime chord progressions. Diminished chord shapes are unique in the way that each note in the chord can be the root note, therefore each chord shape has four names. For example, the chord in the next diagram can be named either Ebdim, Adim, Cdim or F#dim. The following example uses diminished chords.

C(a)

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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