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Advanced Jazz Chord Shapes

Lesson 2/64 | Study Time: 5 Min
Advanced Jazz Chord Shapes

Advanced Jazz Chord Shapes

This lesson covers a selection of interesting Jazz chord shapes that are frequently used in Jazz guitar styles. These chords will be used with many of the chords and fingerpicking techniques that appeared in earlier lessons. Once you are comfortable with the chords in this lesson try creating your own Jazz chord progressions using all the chords throughout this book, applying the fingerpicking techniques you have learned.

Seven Flat Five

The common Jazz chord shapes for the seven flat five chord contain the root note on the 5th and 2nd strings.

(root two)

(root five)

Seven sharp Five

The common Jazz chord shapes for the seven sharp five chord contain the root note on the 6th and 1st strings.

(root one)

(root six)

The following example combines some of these chord shapes as well as some from previous lessons. Ghost notes and the finger roll are also featured.

Minor Seven Flat Five

The common Jazz chord shapes for the minor seven flat five chord contain the root note on the 6th and 5th strings.

(root five)

(root six)

Minor Ninth

The common Jazz chord shapes for the seven sharp five chord contain the root note on the 6th and 5th strings.

(root five)

(root six)

Alternative Bass Notes

Sometimes a chord can be played using an alternative bass note for the root of the chord. These next diagrams highlight two such examples. The first chord, written as Cmaj7/G is a C major seventh chord with a G bass note. The second chord, D7/A is a D seventh chord with an A bass note.

D7/A

Cmaj7/G

The next example uses a variety of Jazz chords including minor ninth, seventh, seven flat five, major seventh, minor seven flat five and seven sharp five chords. The two alternative bass note chord shapes (see previous diagrams) are also used. You may prefer to use finger rolls for most of the following chord shapes.

Seven Sharp Nine

The common Jazz chord shapes for the seven sharp nine chord contain the root note on the 6th and 5th strings.

(root five)

(root six)

Thirteen Flat Nine

The common Jazz chord shapes for the thirteen flat nine chord do not contain the root note. The following diagrams highlight the closest key note as a reference point.

(root five)

(root six)

Some of these chord shapes are used in the following example.

Seven Sharp Five Flat Nine

The common Jazz chord shapes for the seven sharp five flat nine chord contain the root note on the 6th and 5th strings.

(root five)

(root six)

Major Six Add Nine

The common Jazz chord shapes for the major six add nine chord contain the root note on the 6th and 5th strings.

(root five)

(root six)

Augmented Chords

Augmented chord shapes are similar to diminished chords in the same way that each note in the chord can be the root note, therefore each chord shape has three names.

For example, if the first chord on the left is played on the 1st fret, the chord can be named either Gaug (G+), Aaug (A+), or C#aug (C#+). Like diminished chords it is good to use augmented chords based upon one of these root positions (see diagrams).

Augmented (root six)

Augmented (root five)

Augmented (root four)

All of these chord shape types are used in example 193.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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