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Single Note Runs

Lesson 2/64 | Study Time: 5 Min
Single Note Runs

Single Note Runs

A distinct characteristic of Jazz fingerpicking guitar is the use of single note runs. In order to play a single note run you will need to be familiar with several popular scales or patterns.

The Major Scale

The major scale is a useful scale you should become familiar with. Two common major scale patterns are shown in the following diagrams. One pattern can be referred to as a root six pattern with the key notes located on the sixth, fourth and first strings.

The other pattern can be thought of as being in a root five position with the key notes located on the fifth, third and first strings. The first diagram demonstrates the root six major scale in A, the second, the root five major scale in C. Both of these patterns are movable, i.e., they can be moved up or down the fretboard to be played in different keys.

Major scale - root six

Major scale - root five

Right Hand - First Position

It is essential to use correct right hand technique when fingerpicking single note runs. Generally there are three or four positions for the right hand. The right hand first position, as used in many of the earlier examples, is used when a lick is based around the first three strings. Allocate the right hand thumb (p) to the 3rd string, the right hand index finger (i) to the 2nd string and the right middle finger (m) to the 1st string.

The following example is played within the A major scale - root six.

Right Hand - Second Position

The next lick is played with the right hand in the second position. The right hand thumb (p) is allocated to the 4th string, the right hand index finger (i) to the 3rd string and the right middle finger (m) to the 2nd string.

The Natural Minor Scale

Another common scale used in Jazz guitar is the natural minor scale. This scale has a distinctive classical and sometimes haunting sound to it. Study the following diagrams as they illustrate the most commonly used patterns for the natural minor scale.

The first diagram demonstrates the root six natural minor scale in A, the second, the root five minor scale in E. As with previous patterns both of these patterns are movable.

Natural Minor scale - root six

Natural Minor scale - root five

The natural minor scale in the key of Am is used for the next example.

Changing Right Hand Positions

When playing a lick that uses four or more strings it will be necessary to change the position of the right hand. There is no rule to when the right hand will change position. Changing the position will depend on which strings and notes are played. The following lick is played on the first four strings.

The right hand first position is used first before changing to the second position midway through the lick. Try using the suggested right hand fingering but feel free to vary the fingering to suit yourself.

Right Hand - Third Position

When playing single note runs there will be times when the fifth string is needed. This will require the right hand to play in the third position.

The right hand thumb (p) is allocated to the 5th string, the right hand index finger (i) to the 4th string and the right middle finger (m) to the 3rd string. The following lick is in C major. The right hand moves between the second and third positions.

More Scales and Patterns

To finish this lesson, here are a selection of useful scales and patterns that you should learn. For a complete knowledge of scales, patterns and modes see Progressive Scales and Modes for Guitar.

The minor pentatonic scale is one of the most common scales used in Rock music so this scale will prove to be useful when playing a Jazz-Rock feel.

Minor Pentatonic scale - root six

Minor Pentatonic scale - root five

The major pentatonic can be substituted for the major scale. This scale is also commonly used in all forms of Country music.

Major Pentatonic scale - root six

Major Pentatonic scale - root five

The Blues scale will prove to be useful when playing a Jazz-Blues feel.

Blues scale - root six

Blues scale - root five

The harmonic minor scale can be substituted for the natural minor scale.

Harmonic Minor - root six

Harmonic Minor - root five

Example 199 is played within the root six G minor pentatonic scale. The right hand uses positions three and four.

The last example in this lesson is a Jazz-Blues run played within the root six A Blues scale. All six strings are played so the right hand uses all four positions.

Brett Duncan

Brett Duncan

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Class Sessions

1- Advanced Picking Techniques 2- Advanced Arrangements 3- Extended chord licks 4- Blues Fingerpicking Guitar 5- Constant Bass Line in the Key of E 6- Blues Bass Line Techniques 7- More Blues Scale Patterns 8- Introduction 9- Ragtime Fingerpicking Solos 10- Classic Rags 11- Basic Jazz Fingerpicking 12- More Jazz Chords and Techniques 13- Ragtime Fingerpicking Guitar 14- Advanced Jazz Chord Shapes 15- Single Note Runs 16- Combining Chords and Runs 17- Jazz Fingerpicking Arrangements 18- Open Tunings 19- Dropped G Tuning 20- Open G Tuning 21- Open D Tuning 22- Open C Tuning 23- Scales 24- GLOSSARY OF MUSICAL TERMS 25- Fingerpicking A Melody 26- Adding Extra Notes to A Chord 27- Left Hand Slurring Techniques 28- Arpeggio Styles 29- Accompaniment Styles 30- Second Position - Right Hand 31- Fingerpicking Technique 32- More Picking Patterns 33- Alternating Thumb Style 34- Fingerpicking Guitar Solo - Boots "N" All 35- Electronic Tuner 36- The Chromatic Scale 37- Dropped D Tuning 38- Playing Position 39- Harmonics 40- Jazz Chord Shapes 41- The Triplet Rhythm 42- Arpeggio Picking Patterns - <span class="symbolA">*</span>Time 43- Syncopation 44- Picking Patterns 45- Hand Technique 46- Changing Chords 47- The Major Scale 48- Tablature 49- Picking The Strings 50- The Minor Scale 51- Tablature Symbols 52- Chord Diagrams Used in This Book 53- First Position - Right Hand 54- The Major Pentatonic Scale 55- Picking with the Thumb 56- Scale Diagrams Used in This Book 57- The Blues Scale 58- Keys and Key Signatures 59- Combining Thumb and Fingers 60- Relative Keys 61- Learning All the Keys 62- Transposing 63- How to Transpose 64- How Chords Are Formed

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