Intervals in Sequences

Lesson 9/199 | Study Time: 5 Min

Course: Complete Jazz Guitar

Intervals in Sequences

Once you have a basic understanding of how intervals work, it is a good idea to practice playing scales in interval sequences. As mentioned earlier, a sequence is a repetitive pattern in which the rhythm remains the same, while the pitches are repeated higher or lower, usually within a specific scale or mode. The following examples demonstrate intervals played through various major scales. Because of the pattern of tones and semitones within the major scale, you will find that various types of intervals occur. Example 19.0 shows the C major scale played ascending and descending in 2nds. All of the intervals are 2nds, but some are major 2nds (e.g. C to D and D to E) and some are minor 2nds (e.g. E to F and B to C).

Here is the F major scale played in 3rds. Once again, some are major and some are minor.

This example shows the A major scale played in 4ths. All of the intervals here are perfect 4ths except for D to GS which is an augmented 4th.

Here is the Bb major scale played in 5ths. All of the intervals are perfect 5ths except for A to Et which is a diminished 5th.

This one demonstrates the G major scale played in 6ths. Again, some are major and some are minor. As the intervals get larger, these examples will become more difficult to play- Take them slowly at first but stick with it# as a good knowledge of intervals is essential for improvising.

This example shows the Ab major scale played in 7ths. As with previous interval studies, you will find that some of the 7ths here are major and some are minor.

It is also important to be able to play your scales in octaves. Using octaves is a common Jazz guitar technique made popular by Wes Montgomery. Playing in octaves requires quite a bit of movement along the fretboard. This example demonstrates the E major scale played in octaves.

As well as learning your scales with all the intervals, it is important to practice improvising and concentrating on a particular interval. The following example makes extensive use of 4ths.

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1- Electronic Tuner 2- The Importance of Timing and Attitude 3- Some Basic Theory 4- Understanding Chords 5- Intervals 6- Chord Construction - Triads 7- Scale Tone Chords 8- Seventh Chord Types 9- Dominant Seventh Chords 10- Minor 7th Chords 11- Understanding Rhythms 12- The Triplet 13- Scale Tone seventh chords 14- Learning Song Forms 15- Extended Chords 16- Extended Scale Tone Chords 17- Chord Substitution 18- Altered Chords 19- The Major Scale 20- Developing Rhythmic Control 21- Using Ties 22- Scale Degrees 23- Using the Scale Forms 24- More About Major Scales 25- Transposing 26- Arpeggios 27- Major Seventh Arpeggios 28- Modes 29- Fingerings For Modes 30- Modes Over Chord Changes 31- Other Chord Types 32- Soloing Over Altered Chords 33- Expressive Techniques 34- The Blues Scale 35- Articulations 36- Common 16th Note Rhythms 37- Dynamics 38- Harmonizing Minor Scales 39- Scale Substitution 40- Chord Diagrams 41- Tones and Semitones 42- Major Chord Formations 43- Finding Intervals on the Fretboard 44- Augmented and Diminished Chords 45- Major Key Triad Pattern 46- Major 7th Chords 47- The 12 Bar Blues Progression 48- The Key Cycle 49- Notes, Rhythms and Rests 50- Strumming Triplets 51- Scale Tone 7th Pattern 52- Play-Along Recordings 53- Eleventh Chords 54- Guide Tones 55- Learning Chord Substitution 56- Seventh Sharp Five 57- C Major Scale in Open Position 58- Improvising With Set Rhythms 59- Ties Across a Bar Line 60- Visualizing Scale Degrees 61- Playing What You Hear 62- Semitones on The Guitar 63- Accidentals 64- Practicing Arpeggios 65- Dominant Seventh Arpeggios 66- Mode Formulas 67- Combining Modes and Arpeggios 68- Memorizing Chord Types 69- Learning Altered Chords 70- Grace Notes 71- Blues Scale Forms 72- Accents 73- Volume Changes 74- Minor Key Progressions 75- Lydian Dominant Scale 76- Rhythm Notation 77- Sharps 78- Chord Progressions 79- Transposing 80- Moveable 7th Chord Forms 81- Using The Key Cycle 82- Comping 83- Swing Rhythms 84- Starting on Chord II 85- Jazz Terminology 86- Thirteenth Chords 87- Other Guide Tones 88- Turnaround Chord Substitution 89- Seventh Flat Five 90- Creating Your Own Melodies 91- First and Second Endings 92- Moveable Scale Fingerings 93- Major Scale Pattern 94- Enharmonic Notes 95- Arpeggios and chord progressions 96- Minor Seventh Arpeggios 97- Learning New Chords 98- Sharp Eleven Chords (<span class="symbolA">#</span>11) 99- The Fall-off 100- Ghost Notes 101- Accents and Swing 102- Twelve Eight Time (<span class="symbolA">+</span>) 103- Minor Key Modes 104- Spanish Phrygian Scale 105- Scale Diagrams 106- The Chromatic Scale 107- Moveable Chord Shapes in Five Forms 108- Scale Tone Chords Along the Strings 109- Voicings 110- Minor Keys and Scales 111- Quarter Note Rhythms 112- The Charleston Rhythm 113- The II V I Progression 114- Rhythm Changes 115- Omitting Notes From Chords 116- Triad Over Root Substitutions 117- Seventh Sharp Nine 118- Sequences 119- The g Major Scale 120- Blue Notes 121- Improvising With Arpeggios 122- Minor 7 Flat Five and Diminished 7ths 123- Rakes and Trills 124- Combining Scales and Arpeggios 125- Higher Extensions in Minor Keys 126- Learning and Writing Solos 127- Tablature 128- Flats 129- Inversions 130- Primary Chords 131- Inversions of Four Note Chords 132- Minor Scales in All Keys 133- Using Rests 134- Quarter Note Triplets 135- I Becomes II 136- Passing Chords 137- Major Ninth 138- Using 7th Chords to Create 9ths 139- Seventh Flat Nine 140- Memorizing The Notes Of The Scale 141- The F Major Scale 142- Substitutions in Minor Keys 143- Blues Changes 144- Tablature Symbols 145- The Major Scale 146- Inversions Along Sets of Strings 147- Harmonizing Melodies 148- Superimposing Chord Forms 149- Relative Keys 150- Identifying Eighth Note Rhythms 151- Other 7th Chord Types 152- Memorizing Chord Progressions 153- Voice Leading 154- Ninth 155- Substitutions in Minor Keys 156- Ninth Sharp Five 157- Other Major Scales 158- Blues Changes Using Substitutions 159- The Rudiments of Music 160- keys and Key Signatures 161- Learning the Guitar Fretboard 162- Common Progressions 163- Syncopation 164- Diminished Seventh 165- Modulation 166- Minor Ninth 167- Secondary Dominants 168- Ninth Flat Five 169- Major Scales In All Keys 170- Jam Along Progressions 171- Note and Rest Values 172- Notes on the Guitar Fretboard 173- Ties 174- Four Chords in One 175- V Becomes II 176- Eleventh 177- Tritone Substitution 178- Major Seventh Sharp Eleven 179- Intervals in Sequences 180- Learning Standards 181- Time Signatures 182- Minor Eleventh 183- Seventh Sharp Eleven 184- Listening 185- Note Values 186- Major Thirteenth 187- Extended Sharp Eleven Chords 188- Transcribing 189- Technique 190- Thirteenth 191- Altered Thirteenth Chords 192- Ear Training 193- Minor Thirteenth 194- Thirteenth Sharp Nine 195- Chord Formula Chart 196- Thirteenth Flat Nine 197- Creating Your Own Chords 198- Thirteenth Flat Five, Flat Nine 199- Altered Chords Chart

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Intervals in Sequences