Sixteenth notes are commonly used within a beat in conjunction with eighth notes. This A form of the Blues scales of F and D uses common rhythm figures. Practice all your scales and arpeggios using these rhythms.
Here is a lick which makes use of the two rhythms you have just learned.
Here are four more important 16th note rhythms. Practice each one on one note, as shown below, and then use them to play arpeggios and scales. When you are confident with each rhythm, try improvising with it. The first one contains a dotted eighth note. Remember that a dot increases the value of a note by half, so the dotted eighth note is worth three quarters of a beat.
This one contains two sixteenth notes and an eighth note. You may find these rhythms difficult at first but they are all important, so stick with it. Use a metronome as you practice and count out loud as you play. If you are tapping your foot, make sure it taps only on each beat and not in between.
The next two rhythms use sixteenth note rests. Once again take them slowly at first, count out loud and use a metronome.
Like the Blues, Funk has had a huge influence on modern Jazz. This Funky solo contains a variety of 16th note rhythms. If you have trouble with itf learn the rhythm of each phrase on one note and then play the phrase slowly with a metronome, counting out loud as you play. This solo contains most of the expressive techniques and articulations you have learned in the last few lessons. Most sheet music does not contain markings for these techniques, but all Blues, Jazz and Funk players use them, so feel free to add them wherever you feel they are appropriate - experiment!