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Posture

Lesson 4/77 | Study Time: 5 Min
Posture

Posture

The term "posture" refers to the way the body is held (e.g., straight, slumped, etc) and its position when sitting or standing. For singing, it is best to stand rather than sit, as this allows the most open and unrestricted passage of air for both breathing and singing.

Of course, if you are accompanying yourself on piano you will have to sit. In this situation, it is essential to sit up straight but relaxed for the best sound. Compare the correct and incorrect singing postures as demonstrated the following diagrams.

Incorrect

The spine is not straight and the head and pelvis both tilt forward. In this position, it is not possible to move freely or produce the best sound.

Correct

The spine is comfortably straight and in line with the head, legs and pelvis. This position keeps the airways open and makes movement easy and comfortable.

If you think of a situation where a singer is performing with a band, it would look fairly dull if the singer stood straight in the one position all the time. Movement is a large part of any stage show. This means it is not always possible for the singer to maintain perfect posture.

However, it is possible to keep the pathway from the diaphragm to the mouth open, flexible and relaxed most of the time, which means it is still possible to sing well while moving around. Relaxation and flexibility are the keys to good posture regardless of standing or sitting position.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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