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Harmonizing Melodies

Lesson 6/77 | Study Time: 5 Min
Harmonizing Melodies

Harmonizing Melodies

To harmonize a melody, you simply play a chord which contains a note from that melody on the first beat of each bar. In time, you could also add another chord on the third beat of the bar.

There is always more than one chord which could be used, but some sound better than others. The more songs you learn and analyze, the easier it becomes to find the right chords to play.

If you look at the scale and chords in the previous example, you will notice that the notes C and G appear in more than one of the chords. This means that if you were harmonizing a melody in the key of C, you could try both chords wherever one of these notes appear on the first beat of a bar.

The following example shows a melody in C major harmonized with chords I, IV and V. Learn it and then transpose it to all the other keys.

Although most melodies can be harmonized using only chords I, IV and V, it is also common to use one or more of the remaining chords ( II, III, and VII) to create a different feeling. These other chords are called secondary chords.

As with primary chords, the secondary chord chosen for the harmony in any given bar should contain the melody note which occurs on the first or third beat of that bar (wherever the chord changes). Here is the melody from the previous example harmonized with both primary and secondary chords. Once again, learn it and then transpose both the melody and the chords to all the other keys.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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