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Simple and Compound Time

Lesson 4/77 | Study Time: 5 Min
Simple and Compound Time

Simple and Compound Time

Time signatures fall into two basic categories – simple time and compound time. Simple time is any time signature where the basic beat is divisible by two. E.g., in * , ^ and % the basic beat is a quarter note which may be divided in half to become two eighth notes per beat.

Any time signature where the basic beat is divisible by three is called compound time. The most common example of compound time is six eight time ( ) ). Other examples of compound time would be _ and + . In compound time, the basic beat is felt as a dotted quarter note which can be divided by three.

The Six Eight Time Signature

This is the six eight time signature. There are six eighth notes in one bar of ) time. The six eighth notes are divided into two groups of three.

This traditional American song is in ) time and is in the key of G minor. Listen to the example and notice how the singer embellishes the melody at the end of phrases. Learn the melody and then try improvising over the backing. Don’t forget to use the expressive techniques you have learned (e.g., dynamics and vibrato) when singing a melody even if they are not written as part of the sheet music.

The second version of this song is in the key of E minor, which means it has been transposed down an interval of a minor third from the key of G minor. Transposing means changing the key of a song. This is the subject of the following lesson.

2. My mother she’s a tailor
She sews those new blue jeans
My husband he’s a gamblin’ man,
Drinks down in New Orleans.

3. My husband he’s a gambler,
He goes from town to town
And the only time he’s satisfied
Is when he drinks his liquor down.

4. Now, the only thing that a gambler needs
Is a suitcase and a trunk
And the only time he’s ever satisfied
Is when he’s on a drunk.

5. He fills his glasses up to the brim
And he passes the cards around
And the only pleasure he gets out of life
Is ramblin’ from town to town.

6. Go tell my baby sister
Not to do what I have done
Shun that house in New Orleans
They call the risin’ sun.

7. If I had listened to what my mother said
I’d have been at home today
But I was so young and foolish
I let a rambler lead me astray.

8. Well it’s a-one foot on the platform
And the other foot on the train
I’m goin back to New Orleans
To wear that ball and chain.

9. I’m goin’ back to New Orleans
My race is nearly run.
I’m goin’ back to end my life
In the house of the risin’ sun.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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