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The Importance of Timing

Lesson 3/77 | Study Time: 5 Min
The Importance of Timing

The Importance of Timing

One of the most important attributes of any great singer or instrumentalist is great timing. This means they have developed the ability to begin and end a note or phrase at precisely the right moment and to fit their singing in with the accompaniment for maximum musical and dramatic effect. There are two good ways to develop your timing.

One is to read rhythms from written music in time with a metronome or drum machine and the other is to have someone else play or sing rhythms and then copy them by ear. Some Rap singers are able to improvise incredibly complex and dramatic rhythms on the spot.

This is called "freestyling". Even though these singers use complex rhythms, they all had to start with the same simple note values you are learning here. It is also important to remember that all music regardless of style uses the same note values. The notes are just put together in different ways to create different sounds.

Listen to the following examples to hear first the guitar and then the voice produce each short phrase. Following these, each example is repeated with the guitar playing the phrase and then a space is left for you to reproduce it with your voice.

All the examples are in * time. To help keep time as you do this exercise, tap your foot in * time and remember to keep track of the beginning of each bar.

The Eighth Note

This is an eighth note. It lasts for half a count. There are eight eighth notes in one bar of * time.

When eighth notes are joined together the tails are replaced by one beam.

This example contains some common groupings of eighth notes, along with all the other note values you have learned. Clap the rhythms with your hands before singing this example and remember to count and tap your foot. Next, sing through the example using the syllable la.

Here are some phrases which contain eighth notes along with quarter notes. Breathe wherever a rest occurs. Keep the rhythm strong and steady as you sing and tap your foot on each beat.

The Dotted Quarter Note

A dot written after a quarter note means that you hold the note for one and a half beats.

A dotted quarter note is often followed by an eighth note.

Sing this example using the syllable ba. In a Rock band these rhythms are often used in the drummer’s bass drum patterns (played with the right foot).

Here is the rhythm from the previous example applied to a melody. As always, keep the rhythm strong and even, and tap your foot on each beat as you sing.

To help consolidate your timing and recognition of rhythms, practice clapping and singing this example which contains all the note and rest values you have learned so far.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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