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Swing Rhythms

Lesson 3/77 | Study Time: 5 Min
Swing Rhythms

Swing Rhythms

Since the early 20th century there have been many new styles of music which use a rhythmic feeling called swing. These styles include Blues, Rock, Jazz, Gospel, Soul, Funk and Hip-Hop. A swing rhythm is created by tying together the first two notes of a triplet. There are several different ways of writing swing rhythms.

To understand them it is worth using one musical example written in various ways. The following example has the first and second notes of each triplet tied together. Sing this example and listen to the feeling created by the rhythm.

Instead of tying the first two notes of the triplet group, a quarter note can be used. The quarter note grouped with an eighth note by a triplet bracket shows clearly that the first note is worth two thirds of the beat, while the second note is worth only one third. Sing the following example and notice that it sounds the same as the previous one. This is just a different way of writing the rhythm.

A third way to write the same rhythm is to notate the whole thing in eighth notes and to write 6 = z at the start of the music. Jazz musicians usually write swing rhythms in this manner, as it is easier to read.

The following example contains some common rhythms using triplets and swing eighth notes. As with previous rhythm exercises, clap the rhythms while counting and tapping your foot on the beat. Then sing the rhythms along with the example using the syllable ba and then sing them from memory while tapping your foot on each beat.

These phrases use the same rhythms as the previous example, however this time they are applied to the C Blues scale. On the recording, the syllable ba is used but try these phrases with other syllables as well.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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