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Microphones for Performing Live

Lesson 10/77 | Study Time: 5 Min
Microphones for Performing Live

Microphones for Performing Live

There are several different types of microphones available. Each of them is best suited to a different musical situation (e.g., live band performance, or recording session). The type of microphone most commonly used for live performances is the dynamic microphone. These microphones contain a diaphragm and a coil which is activated when the voice causes it to vibrate.

Dynamic microphones are normally uni-directional, or "front sensitive" which means that sounds entering from the sides of the microphone are amplified less than sound entering from the top or front.

Because of their resistance to feedback (the piercing sound made when a microphone picks up the sound coming from the speakers and amplifies it again) uni-directional microphones are particularly useful in a live band environment.

Microphones which are omni-directional receive sound equally from all sides of the microphone. This makes them useful for back-up vocals in situations where two or more singers share one microphone but they are not recommended for a lead singer in a live band situation.

Before you buy a microphone it is advisable to visit a music store and try out some in the store. The Shure SM58 microphone is a typical professional quality uni-directional dynamic microphone and is one of the most common microphones used by bands.

There are also other good microphones available which are of a similar design. If you intend to perform in public regularly, it is worth spending a little extra on a good microphone as it will make you sound better and make you more comfortable with your sound on stage.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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