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Vibrato

Lesson 6/77 | Study Time: 5 Min
Vibrato

Vibrato

Another expressive technique which is common to both singers and instrumentalists is vibrato. This is a method of altering the quality of a note once it has been sounded.

It generally occurs on longer sustained notes and can be heard as a slight wavering of the pitch and volume of a note, that may be fast, slow or anywhere in between. The speed and width of vibrato are a matter of personal taste and often depend on the musical situation.

There are several methods of producing vibrato with the voice. These involve movement of the diaphragm, the throat and the larynx in various combinations. The easiest way to begin developing vibrato is to imagine you are your favorite singer and to imitate the sound of their vibrato.

It is a good idea to exaggerate at first, but once you have control of it, don’t forget to ease off, as singers who over-use vibrato can be very irritating.

Vibrato is a very personal thing and can add a lot of character and warmth to your voice but it may take some time to develop. It is probably a good idea to work with a teacher when you are learning vibrato, as it can be difficult to obtain a good sound at first. One of the most important aspects of learning is listening.

You can learn a lot about vibrato by simply listening to singers you admire and imitating their sound. By this stage in your development, you should be listening to albums featuring great singing every day. Listen to the following example to hear the effect of vibrato and then try it yourself. The note begins with no vibrato and the vibrato is added while the note sustains.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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