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Looking After Your Voice

Lesson 8/77 | Study Time: 5 Min
Looking After Your Voice

Looking After Your Voice

Like anyone involved in regular physical activity, it is important for a singer to keep fit. All the muscles, ligaments, tendons, etc., used in singing and stage movement require regular exercise to keep them flexible and in the best condition for performing.

It is also important not to strain your voice, as this can lead to poor technique along with a lessening of the sound quality of your voice. In extreme cases such as repeated shouting, this can lead to vocal nodules. These are growths on the vocal cords which can cause permanent damage.

Nodules usually occur in Rock singers who sing with a rough technique at high volume (shouting) over extended periods, often in an attempt to compete with the volume of electric guitars played through large amplifiers.

If you are singing with a band, it is essential to have adequate foldback. Foldback speakers are ones which are aimed at the performers rather than the audience. They are there so the performers can hear themselves properly when amplified through a PA system.

If you are having trouble hearing yourself, you should never sing louder to try to overcome the situation. Instead, you will either need to turn the foldback up or get the instrumentalists to turn their amplifiers down, or both. Many beginning electric guitarists and drummers are not used to playing at quieter volumes, but it is essential that they learn. Otherwise you may end up with vocal damage.

When rehearsing songs, don’t forget that dynamics are an essential part of music. If you always play and sing too loud, you have nowhere to go.

Get the musicians accompanying you to play at a comfortable "middle" volume and work out the best places in the song to increase or decrease the volume for dramatic effect.

When performing, everything you do either as a singer or an ensemble should have the sole purpose of communicating the song to the audience. This means moving them emotionally rather than deafening them.

Another aspect of looking after your voice is drinking plenty of water. Other liquids can adversely affect the sound of your voice, but water keeps the throat and larynx lubricated without affecting the sound.

It also has the added bonus of preventing dehydration if you are using a lot of energy on stage. As well as this, a sensible diet and regular exercise will help keep your body in the best possible condition for singing and performing.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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