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Syncopation

Lesson 3/77 | Study Time: 5 Min
Syncopation

Syncopation

When you count along with music, there is often a natural pattern of accents on each beat. However, when ties are used with eighth notes, this often displaces some of the natural accents from on the beat to off the beat (i.e., in between the beats). This effect is known as syncopation.

The preceding example contains several syncopated rhythms created by the use of ties. Here is another example of syncopation. Listen to the way the accent is thrown to the + (and) part of the count by the use of ties.

Syncopation is common in Rock melodies. It is often used to make rhythms more dramatic and to propel the music forward. Here are some phrases to practice which contain syncopated rhythms created by the use of ties.

The Eighth Rest

This is an eighth rest.
It indicates half a beat of silence.

There are two common positions for eighth note rests – off the beat and on the beat. These are demonstrated in the following example which is sung with the syllable ba.

Now try these rhythms which contain eighth rests. Count and clap them first, then sing them using the syllable da.

The use of eighth rests on the beat is a common way of achieving syncopated rhythms. This example is written in the style of Bobby McFerrin, who often mimics instrumental solos with his voice. This style developed out of Jazz "scat" singing, a technique using wordless vocal lines which are often improvised.

The progression used for this example is the 12 Bar Blues. This progression is the basis of thousands of popular songs. Sing this melody using the syllable da, and then try it with other syllables as well.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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